Tomb of Francis Shirley of Staunton Harold (d1571), and his wife Dorothy.

Although commonly known as the Diwan-i-Khas (Hall of Private Audience), it is thought to be too small to have fulfilled that purpose, and an alternative suggestion is that it was Akbar the Great's jewel house as the main treasury building is nearby.

This carved pew-end panel, from Thenford, Northamptonshire, dates to the late sixteenth or early seventeenth century (c.1580–1625) and belongs to the tradition of figurative church woodwork produced in England after the Reformation. Executed in shallow relief and enclosed within a moulded rectangular frame, the panel presents a compact and emblematic sacred image rather than a narrative scene.

Marble tomb of Sir John Throckmorton (d1580) and his wife Marjorie.

Late C16 alabaster tomb, of Humfrey Peyto died 30 March 1585, and Anne his wife.

1590 monument in Reigate stone to Thomas Andrew.

Baroque sculpture, flourishing from the late 16th century to the early 18th century, is a vibrant and dynamic art form that emerged during the Counter-Reformation, particularly in Italy, to inspire faith and awe among the faithful. Characterized by its dramatic intensity, bold movement, and emotional depth, this style contrasts with the balanced harmony of the Renaissance.

Monument dedicated to Robert Price (d1595) and his wife, and her parents.

17th-century brasses (c. 1601–1700) are rare survivals of a declining tradition. When produced, they are typically simpler and more textual than earlier examples, reflecting Protestant restraint and changing attitudes toward imagery and commemoration.