19th-century tombs (c. 1801–1900) range from restrained memorials to highly elaborate architectural monuments. Influenced by Gothic Revival and Romantic historicism, they emphasize identity, family memory, and renewed Christian symbolism through sculpture, inscription, and material richness.

Monument to Richard Solly (d1803) by John Bacon Jr ⓘ.

This elegant Neoclassical funeral monument, located in the portico of the Camposanto Monumentale within Pisa's Piazza dei Miracoli, commemorates Anastasia Petri-Schouvaloff (dates uncertain, likely 18th–19th century).

This wall monument, dated 1831, commemorates Elizabeth Darnell and is located at Thrapston, Northamptonshire. It was commissioned by her daughter, Mary Montague, and is signed by the sculptor Edward Physick ⓘ (1810–1842), whose short career produced a small but refined body of funerary work.

This sculpted monument commemorates Sir Richard Colt Hoare (d1818) and is located in Salisbury Cathedral. It was carved by the sculptor Richard Cockle Lucas ⓘ, one of the most distinctive British sculptors of the early nineteenth century.

Hoare is shown seated, absorbed in the act of reading and writing. A large open manuscript rests across his knees, presenting him not as a figure of rank or authority but as an active scholar. His contemporary dress is rendered with close attention to texture and fall, reinforcing the sense of immediacy and naturalism.