Archive for the ‘Northamptonshire’ Category

All Saints - Yelvertoft

13th century parish church in the Perpendicular Gothic style.

Sedilla, All Saints - Yelvertoft Alabaster effigy, All Saints - Yelvertoft

The sedilia to south of chancel has nodding ogee arches, and was retained from earlier times when the chancel was remodeled in the C19. The alabaster effigy on the low tomb chest is decorated with quatrefoils in the perpendicular style. Its the monument to John Dycson, rector from 1439 to 1445.

, All Saints - Yelvertoft All Saints - Yelvertoft

The bench ends are probably C15 with Gothic tracery.

East window, All Saints - Yelvertoft Window, All Saints - Yelvertoft Window, All Saints - Yelvertoft

Window, All Saints - Yelvertoft

Perpendicular style decoration around north chancel window.

24
Jan

Welton – St Martin.

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St. Martin - Welton St. Martin - Welton

Parish church of St. Martin, Welton.

St. Martin - Welton Child's gravestone St. Martin Font, St. Martin - Welton

Gravestone of John Hewitt, lost and starved to death aged 6. The simple font is late medieval.

Pulpit, St. Martin - Welton Alms box, St. Martin - Welton Memorial, St. Martin - Welton

The pulpit was carved by local villagers, a wooden alms box stands by the door, and a C18 memorial plaque on the wall beside the pulpit.

Chancel, St. Martin - Welton Marble and Malachite, St. Martin - Welton

The C19 polychrome marbles and malachite floor, is reputed to be a Russian gift.

welton 25012008-017 (by Walwyn) welton 25012008-024 (by Walwyn) welton 25012008-033 (by Walwyn)

24
Jan

Whilton – St. Andrew.

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St. Andrew. Whilton Chancel St. Andrew. Whilton

Parish church of St. Andrew. Whilton Northamptonshire.

Nave St. Andrew. Whilton Chancel St. Andrew. Whilton Pulpit St. Andrew. Whilton

East window detail St. Andrew. Whilton East window St. Andrew. Whilton East window detail St. Andrew. Whilton

Holy Trinity - Church Charwelton church charwelton 30112008- 007 (by Walwyn)

Late 13th early 14th century Gothic Church of the grand decorated period.

church charwelton 30112008- 028 (by Walwyn) Holy Trinity - Church Charwelton

The Arts & Crafts altar was made in 1904 and contains five carved panels. Four are of carved vines with leaves and grapes. The central panel is of the Communion and the Last Supper. The altar rails are dumb-bell balusters are 17th century. The 19th century pews came from All Saints Church, Emscote Lawn in Leamington Spa in 1973 before it was demolished.

Eric Gill lettering Holy Trinity - Church Charwelton Eric Gill lettering Holy Trinity - Church Charwelton

The panels above of the 10 Commandments were painted by Eric Gill when the church was restored around 1904. The lettering is a bit hard to read, but I’ve brought it out a bit in post-processing.

Alabaster tomb Holy Trinity - Church Charwelton Alabaster tomb Holy Trinity - Church Charwelton

labaster tomb Holy Trinity - Church Charwelton labaster tomb Holy Trinity - Church Charwelton

Alabaster tomb Holy Trinity - Church Charwelton labaster tomb Holy Trinity - Church Charwelton

labaster tomb Holy Trinity - Church Charwelton Alabaster tomb Holy Trinity - Church Charwelton

The north chapel contains a fine tudor tomb of Sir Thomas Andrews and his two wives, Katherine and Mary. The tomb was built after the death of his first wife Katherine during the reign of ‘Bloody’ Mary. In 2001 major conservation work took place prior to its inclusion in an Exhibition of Medieval Sculpture at the Tate Gallery.

Brass Holy Trinity - Church Charwelton Brass Holy Trinity - Church Charwelton

Brass Holy Trinity - Church Charwelton Reigate stone monument Holy Trinity - Church Charwelton

In addition to the tomb there are three magnificent brasses in the centre aisle of the church these are dedicated to three Thomas Andrewes and their wives. In the north aisle a monument of 1590 of Reigate stone which was erected by Thomas Andrewe in memory of his two wives. The monument also depicts their twelve children.

St. Nicholas - Stanford-On-Avon

Built from the local ironstone the present 14th century parish church of St. Nicholas was rebuilt from an earlier Norman church.

Piscina south aisle - Stanford-on-avon Effigy south aisle - Stanford-on-avon Memorial south aisle - Stanford-on-avon

This church is full of treasures. Starting with the South walll of the south aisle there is a C14 piscina, an effigy of a C14 priest on a low tomb chest, and a 1640 wall memorial.

Medieval stained glass panels - Stanford-on-Avon South aisle east window - Stanford-on-Avon Medieval stained glass panels - Stanford-on-Avon

Detail medieval stained glass panels - Stanford-on-Avon Detail medieval stained glass panels - Stanford-on-Avon Detail medieval stained glass panels - Stanford-on-Avon

The south aisle windows contain remnant of medieval stained glass dating back to 1330.

Monument to Sarah Baroness Braye Monument to Sarah Baroness Braye Monument to Sarah Baroness Braye

The west wall of the south aisle is taken up by a large marble monument by Mary Thorneycroft in memory of Sarah Baroness Braye (d1862), a memorial window to her, by Hardman & Co., can be found in the South Kilworth church of St. Nicholas.

Detail medieval stained glass panels - Stanford-on-Avon Font - Stanford-on-Avon Detail medieval stained glass panels - Stanford-on-Avon

The window in the bell tower contains fragments of medieval glass. The font is C14 with a carved tracery pattern.

Monument - Stanford-on-Avon Monument - Stanford-on-Avon Monument - Stanford-on-Avon

The north aisle like the south aisle has a number of monuments. On the west wall is a large marble monument by Richard Westmacott Jr to Robert Otway Cave (d1844) and Sophia Otway Cave (d1849). The north wall has a monument of a lancer by Felix Joubert (1896) dedicated to Edmund Verney (d1879).

Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

labaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

Next to the stataue of a lancer is a late Elizanbethan alabaster tomb in memorial to Henry Knollys and his wife Margaret Cave (c1600).

Medieval stained glass panels Medieval stained glass panels - Stanford-on-Avon

The east window of the north aisle contains glass dated to about 1330-1340 with depictions of the Resurection, Angels, Crucifixion, Virgin, and St John.

Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

Between the north aisle and the nave, is an early Elizabethan alabster monument to Thomas Cave (c1558) and his wife.

Elizabethan alabaster chest tomb with putti and roundel - Stanford-on-Avon Elizabethan alabaster chest tomb with children - Stanford-on-Avon

At the head end of the tomb chest two putti hold a roundel, at the foot end are representations of his 14 children.

Nave - Stanford-on-Avon Organ - Stanford-on-Avon Stanford-on-Avon

The upper parts of the chancel screen come from Lutterworth, the organ case in the west gallery is C16/C17 and is reputed to come from the Royal Chapel Whitehall.

Stained glass - Stanford-on-Avon Stained glass - Stanford-on-Avon

Stained glass - Stanford-on-Avon Stained glass - Stanford-on-Avon

More medieval stained glass is contained in the east window, and north and south chancel windows.

Monument - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

The chancel has another memorial by Richard Westmacott Jr this time to Thomas Otway Cave (d1830). In addition there is an alabaster memorial to Richard Cave (d1606 Padua) which stands next to the memorial to his parents.

Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

Alabaster memorial - Stanford-on-Avon Alabaster memorial - Stanford-on-Avon

At the east end of the North wall stand a large alabaster memorial to Sir Thomas Cave (d1613) and his wife. The base of which contains reliefs of their children.