This is a small church built from Hornton stone, mostly 13th century the north arcade of three bays is Norman. The chancel has late 14th century windows.

The font is Norman with a wheat sheaf support which may be Anglo Saxon.

The bench ends of the stalls are decorated with Perpendicular style tracery carving.

The reredos behind the altar is made up from 17th century wood panels, of Flemish origin, depicting biblical scenes. The panels are in different styles and appear to have been collected from a number of sources.

Start Slide Show with PicLens Lite

Tags: carving, font, norman, reredos, tower, tracery, wood

Largely rebuilt in 1896 by the architect Bassett Smith in C14 style. Holy Trinity retains some features from C13 particularly the door and bay arches in the south aisle. The tower is C15 and built from Lias Limestone.

A large part of the manor of Churchover was owned by Kennilworth Priory the rents amounting to £4 12s 8d at the time of the Dissolution which was sold to William Dixwell. Other parcels of land were once part of the Combe Abbey estate and after the Dissolution of the Monasteries these reverted to the Duchess of Richmond who then sold the land to the tenant William Dixwell.

The west wall of the south aisle has a large monument to Robert Price (d1595) his wife (Mary), and her parents (Humphrey and Ann Dixwell). The two couples are kneeling and facing each other with their children underneath.

In a similar style to the earlier monument in the south aisle, this monumnet in the north aisle is dedicated to monument to Charles Dixwell (d1591) and his wife Abigail (d1635) and their four children William. Edgar, Humphrey, Basil, and Barbara. The style is very similar to the moment in the north aisle dedicated to Robert Price. It also consists of a couple kneeling, with their children below.

One family member John Dixwell the younger son of Edward (Edgar?) Dixwell, was raised by his uncle Basil Dixwell of Brome Kent. John became a lawyer and joined the Kent county committee and was a captain in the Kent militia. In 1646 he was elected to the Long Parliament as MP for Dover. In 1649 he was one of the 59 signatories of King Charles’s Death Warrant. Following the Restoration of the Monarchy, John Dixwell, fled to New Haven Conneticut where he lived under the name of James Davids.

The font is C12 an inverted cone with roll-moulding on the bottom edge, the cover is Jacobean and dated 1675. The east window is dated 1918 by Arild Rosenkrantz.

Start Slide Show with PicLens Lite

Tags: font, monument, stained glass, tower

This parish church was formerly the church of an Augustinian Priory founded early C12. Formally a fortified hilltop a monastery was established there by the C7. The first Abbot Hedda became the second bishop of Lichfield in 691.

The monastery was destroyed by the Danes and not re-established until the foundation of the Augustinian Priory in early C12, the church was remodeled in the C13 with a long and wide chancel which is today’s nave.

The church was really two churches in one, part of which was for the local parishioners and extended westwards from the central tower, the other part was for the priory which is essentially the present church.

By the C16 the nave and porch, which was the parish part of the church had become dilapidated, and after its dissolution in 1539 the Priory part of the church was sold by Henry VIII to Francis Shirely of Staunton Harold, as a burial place for himself and his successors. The Breedon parishioners were allowed to use the Priory church as their own was at that time in ruins.

In 1784 the church had again fallen into disrepair and the state of the roof and walls of the north and south aisles was such that services had not been held inside for several months and the church was nearly demolished. Though the cost of rebuilding was not raised the church was repaired leaving it in its present state.

Incorporated into the church are well preserved surviving fragments of friezes from the ancient monastery. They are dated to the C8 and stylistically similar to Book of Cerne (c820) and the ‘Hedda’ stone at Peterborough Cathedral. The above grouping has two sets of saints on either side of a central female figure giving a Byzantine blessing.

Other panels contain birds, beasts, figures, and a strange lion like creature referred to as the Anglian Beast.

Dedicated to George Shirley and family this immense alabaster tomb by Richard & Gabriel Royley of Burton-upon-Trent is almost the height of the north wall.

A gisant lies at the base of the tomb, above which are two coffered arched recesses with five large figures and two infants. The tomb dedicated to John Shirley (father of George) features a Knight in armour on a chest with armourial shields on the side.

Again on the north wall is the tomb dedicated to Francis Shirley (grandfather of George) one time Sheriff of Leicestershire and Warwickshire. The tomb contains effigies of Francis and his wife Dorothy, with pairs of mourners on the side holding shields.

All three tombs are of Chellaston alabaster and made by Richard & Gabriel Royley of Burton-upon-Trent.

Start Slide Show with PicLens Lite

Tags: alabaster, chellaston, font, monastery, priory augustinian, royley, saxon, tomb

St. Nicholas parish church has a Decorated style (C14) west tower, the remainder of the church is in the Perpendicular style of the mid C15. The chancel was rebuilt in the early C19 and is of brick rendered in cement to imitate limestone ashlar blocks.

The red sandstone font is from the early C13, cauldron shaped with carvings of two green men and foilage.

The tower arch has inner half-round shafts and half-octagon capitals. The electric clock in the tower was installed in 1947 as a memorial to those that died in the second world war. The south east aisle window was installed in 1919 by the village at a cost of £100. It is a first world war memorial and “Thanksgiving for Victory”, dedicated to the memory of Howard Drinkwater and William Hakesley.

The three light Arts and Crafts east window, by Caroline Townshend, contains an image of St. Nicholas, the central light is a “Salvator Mundi”. The other light has an image of Mary Magdalene, the village previously being owned by Magdalen College Oxford.

The north aisle has two memorials the first is to to George Watson (d1674). The inscription reads:

In the coast of Guiney George Watson son of Thomas Watson of Willoughby (and one of his Majesstes Captains at sea) departed this life July ye 15 anno D. 1674 aetatis suae 45 and gave to ye poor of Willoughby ye profit of £50 for ever to be distributed as by a decree in Chancery is sett forth.

Death hath contrould a Captain bold Yet loss of life is gain Especially when charity For ever doth remaine.

The Willoughby charity was founded in 1437 by Margaret Hayward by a grant of land worth £20. In addition the charity was endowed by William Flavell (1496) and John Brooke (1536). This bequests were added to by George Watson (1647) and Bridget Freemantle (1773). By 1812 the income from the charity was £515 a year.

The second memorial is to Thomas Clerke (d1687), and his wife(d1669). Behind the organ is a table tomb dedicated to another Thomas Clerke (d1663). The tomb itself is mostly obscured by the organ works.

Start Slide Show with PicLens Lite

Tags: arts and crafts, Caroline Townshend, font, nicholas, stained glass, tower, war memorial