Index of Gothic all
Doom - Lutterworth, Leicestershire
/info/node/2888At St Mary's Church, Lutterworth a large wall painting above the chancel arch represents the Last Judgement, traditionally known as the Doom. Christ sits enthroned on a rainbow at the centre of the composition while angels attend him, one sounding a trumpet that calls the dead to rise. Below, coffins open and figures emerge from the earth.
Effigy of priest - Old Arley, Warwickshire
Mid C14 recumbent effigy of a priest in tomb recess.
Hugh le Despenser, 2nd Baron le Despenser - Tewkesbury Abbey
This tomb of Hugh and Elizabeth, in the chancel of Tewkesbury Abbey, is of alabaster and the effigies are portraits of them both. The canopy once contained 26 statutes and was considered one of the finest in England.
Gloucester Cathedral - East Window
The east window at Gloucester Cathedral was created as part of the rebuilding of the abbey church of St Peter ⓘ. Built in the Perpendicular style it was the largest window in Europe. The decorative scheme portrays the Coronation of the Virgin and the glass mostly dates from the 1350s.
Effigy of Priest - Aston-le-Walls, Northamptonshire
C14 effigy of priest in tomb recess.
Oak Cross-Legged Knight Effigy - Cold Higham, Northamptonshire
This is one of fewer than 100 surviving wooden knight figures in England, and transcends mere memorial: it immortalizes Sir John's legacy as a minor but dutiful baron, who was possibly involved in Edward III's French campaigns
Wall paintings at Ashby St. Ledgers
The parish church of the Blessed Virgin Mary ⓘ and Saint Leodegarius at Ashby St Ledgers in Northamptonshire has a C14 - C15 Passion sequence painted above the chancel arch and on the side walls. The sequence was uncovered during restoration work in 1927 and is the most extensive cycle in the UK. The paintings are of a similar date to those at Burton Dassett about 20 miles away.
Scholastica de Gayton - Gayton Northamptonshire
Scholastica de Gayton, who died in 1354, was a member of the medieval de Gayton family, long associated with the village of Gayton in Northamptonshire. She was the daughter of Sir Philip de Gayton, who died in 1316 and whose own effigy also survives in the church of St Mary the Virgin at Gayton.
Peter de Grandisson Tomb - Hereford Cathedral
Polychome tomb with effigy of baron Peter de Grandison (d1358) and the Coronation of the Virgin above the effigy.
French Virgin and Child - Salisbury Cathedral
This wooden sculpture of the Virgin and Child, dating to the fourteenth century (most probably the mid to late 1300s, though sometimes described as early fifteenth century), is of Continental—likely French—origin.
Thomas de Beauchamp Tomb - Warwick, Warwickshire
Tomb of Thomas de Beauchamp (d1369) and his wife Katherine Mortimer.
Richard Pembridge - Hereford Cathedral
Sir Richard Pembridge (d1375) was one of the earliest Knights of the Garter, being elected following the death of Thomas Ufford in 1368. He was present at all of Edward III's major victories during the Hundred Years War: Sluys (1340), Creçy (1346), the Siege of Calais (1347), and Poiters (1356) where he fought alongside the Black Prince.
Painted Clock - Raunds
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
St Aignan - Last Judgment
This early fifteenth century wall painting of Christ at the Last Judgement sitting on a rainbow between praying figures of the Virgin Mary ⓘ and St John the Evangelist ⓘ, can be found in the Collegiate Church ⓘ of St Aignan.
Cardinal Jean de la Grange Effigy - Amiens Cathedral, France
White marble effigy of Cardinal Jean de la Grange (d1402).
William Bagot Brass - Baginton, Warwickshire.
Large brass monument to William Bagot ⓘ (d1407) and his wife Margaret.
Unidentified 15th century knight and lady - Lutterworth, Leicestershire
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
St Christopher and St Anne with the Virgin - Thenford Northamptonshire
This two-light stained glass window, dating to around 1410, combines two devotional subjects of late medieval popularity: Saint Christopher in the left-hand light and Saint Anne with the Virgin Mary ⓘ in the right-hand light. The pairing reflects contemporary concerns with protection, instruction, and the visible presence of holiness in everyday life.

