Coronation of the Virgin (cell 9)
This fresco by Fra Angelico ⓘ 1438-1443) depicting the Coronation of the Virgin is in cell 9 of the San Marco monastery in Florence.
This fresco by Fra Angelico ⓘ 1438-1443) depicting the Coronation of the Virgin is in cell 9 of the San Marco monastery in Florence.
This images of Christ Carrying the Cross is in cell 28 of the San Marco convent.
In the Nativity scene from Cell 5, Fra Angelico ⓘ presents a serene and deeply devotional vision of the birth of Christ. The composition centers on the Holy Family, Mary, Joseph, and the infant Jesus, surrounded by an atmosphere of quiet reverence.
This fresco (1438-1443) by Fra Angelico ⓘ 1438-1443) depicting the Presentation in the Temple is in cell 10 of the San Marco monastery in Florence.
This Annunciation (1438-1443) frescoe, by Fra Angelico ⓘ, is in cell 3 of the novice accommodation at San Marco Florence.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Noah and the Flood, and birth of Isaac ⓘ. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The bottom register of the window shows four scenes from the story of Abraham ⓘ, Sarah, and the birth of Isaac.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The four panels in the top register of the window illustrate the seven days of creation.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Noah and the Flood, and birth of Isaac ⓘ. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The top register of the window shows four scenes from the story of Noah and the flood.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The middle register of the window illustrate the creation of Adam and Eve, the Forbidden Fruit, and the Fall.
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
This fifteenth century stained glass panel depicts William the Conqueror ⓘ, in 1085, giving a charter to the monk Aldwin. It can be found in the north wall clerestory ⓘ window of the chancel in Great Malvern Priory.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Noah and the Flood, and birth of Isaac ⓘ. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The middle register of the window shows four scenes from the story of Noah following the flood.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The four panels in the bottom register of the window illustrates the expulsion from Eden.
St Anne Chapel in Great Malvern Priory is in the south choir aisle, there is no indication however that it was known to be dedicated to St Anne before the nineteenth century. This chapel has three windows with mid fifteenth century class depicting Old Testament stories.
Louis of Luxemboug (d1443). Brother of the governor of Paris who sold Joan of Arc to the English.
At Yelvertoft Northamptonshire is the tomb of John Dycson, who served as rector of Yelvertoft from 1439 to 1445, is a fine example of 15th-century English funerary art in the Perpendicular Gothic style. The monument consists of an alabaster effigy resting upon a low tomb chest, its sides richly decorated with panels of quatrefoils and other intricate tracery characteristic of the period.
The so-called Founders’ Window at Great Malvern Priory is one of the most important narrative glazing schemes to survive in the church. Set high in the north clerestory ⓘ of the chancel, the window is composed of four lights arranged in two registers, presenting a visual history of the foundation of the priory that combines legend, royal authority, and aristocratic patronage.
Alabaster tomb of Sir John Cressy (d1445) Dodford, Northamptonshire. The sides of the tomb chest have angels holding shields, and the offices he held in France are listed around the top edge.
This is the tomb of Richard de Beauchamp, 13th Earl of Warwick. who died at Rouen on the 30th April 1439. His will made an endowment to the collegiate church ⓘ of St Mary, Warwick, money to build the chantry chapel ⓘ at St Mary's, and gifts to Tewkesbury Abbey.