Index of Gothic all

Resurrection etc - Evreux Cathedral

This window was donated to the Cathedral by King Louis XI of France in 1467-1469. It's eight panels depicts events from the Resurrection to the Last Judgement of Christ.

 

 

Death of the Virgin - Lady Chapel Evreux

 

 

This stained glass window (1467-1469) in the south wall of the Lady Chapel at Evreux Cathedral, depicts the Death of the Virgin Mary in the upper registers.

 

 

Tree of Jesse - Lady Chapel Evreux

 

 

This stained glass window in the Lady Chapel of Evreux Cathedral was a given to the cathedral by King Louis XI of France between 1467 and 1469.

 

 

Life of Christ - Lady Chapel Evreux

 

 

This four light window (1467-1469) in the north wall of the Lady Chapel at Evreux Cathedral, depicting scenes from Life of Christ, was a gift to the cathedral by King Louis XI of France.

 

 

 

South Transept Rose Window - Evreux Cathedral

 

This rose window in the south transept of Evreux Cathedral was given to the Cathedral by Louis XI of France between 1470 and 1480. It is 6.5 metres in diameter and represents the Coronation of the Virgin in Heaven. Below the rose window the lancet windows in the Gallery contain representations of eight of the Apostles.

 

Bishop John Stanbury - Hereford Cathedral.

This carved alabaster monument of Bishop John Stanbury contains his effigy and has saints and angels as mourners carrying shields around all sides. Unfortunately the heads of the angels were chipped off during the reformation.

 

 

St Peter and St Simeon with the Christ Child - Lichfield Cathedral

St Peter and Simeon

 

 

 

This window contains two significant pre-Reformation figural panels depicting St Peter (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.

Lord John Cheney Monument - Salisbury Cathedral

Lord John Cheney (d1499) was a Lancastrian supporter who in 1483 had supported the Duke of Buckingham's rebellion against Richard III. When Buckingham's rebellion failed he joined Henry Tudor in Brittany and returned with him from France in 1485.

Sacristy Vault Panels - Abbaye Royale de Fontevraud

Adam and Eve

This group of eleven relief panels form part of the carved vault decoration of a sacristy bay at the Royal Abbey of Fontevraud. Executed in a soft, chalky limestone typical of the Loire region, the panels combine biblical narrative scenes with hagiographic episodes from the Life of St Nicholas and include one figure of architectural patronage.

Rouen France

 

These pages document medieval stained glass in the churches of Rouen.

Magnificat Window

Magnificat Window

This window in the North transept of Great Malvern Priory was a gift from Henry VII in 1501. Containing scenes from the life of the Virgin Mary and the life of Christ., it is known as the Magnificat window because it contains the Song of Mary from Luke 1:46-55.

 

 

Ascension, Descent into Hell

Ascension, Descent into Hell

These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.

 

Black Madonna - Chartres Cathedral

 

This image shows the Virgin and Child of Chartres Cathedral, commonly known as the Black Madonna of Chartres (Notre-Dame du Pilier). It is one of the most venerated Marian sculptures in France and a central focus of devotion within the cathedral. It was commissioned in 1508 as a black wooden copy of the 13th century silver Madonna that stood on the main altar at Chartres Cathedral.

 

 

The Life of St Austremoine - Abbey Church of Saint-Ouen, Rouen

Life of St Austremoine

This window forms part of the late-medieval glazing cycle devoted to St Austremoine (St Austremonius), traditionally regarded as one of the missionary bishops sent from Rome to evangelise Gaul. The panels adopt the rich narrative style characteristic of Rouen workshops in the early sixteenth century, combining brightly modelled figures, deep architectural canopies, and landscape backdrops that open the narratives into broad, coherent sequences.

 

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