Index of Gothic all
This monument of an alabaster knight wearing Milanese armour is dedicated to Robert Lord Hungerford (d1464).
This stained glass window (1467-1469) in the south wall of the Lady Chapel at Evreux Cathedral, depicts the Death of the Virgin Mary in the upper registers.
This stained glass window in the Lady Chapel of Evreux Cathedral was a given to the cathedral by King Louis XI of France between 1467 and 1469.
This four light window (1467-1469) in the north wall of the Lady Chapel at Evreux Cathedral, depicting scenes from Life of Christ, was a gift to the cathedral by King Louis XI of France.
This window was donated to the Cathedral by King Louis XI of France in 1467-1469. It's eight panels depicts events from the Resurrection to the Last Judgement of Christ.
Brass monument to John Tawyer (d1470) and his wife.
This rose window in the south transept of Evreux Cathedral was given to the Cathedral by Louis XI of France between 1470 and 1480. It is 6.5 metres in diameter and represents the Coronation of the Virgin in Heaven. Below the rose window the lancet windows in the Gallery contain representations of eight of the Apostles.
Bishop Ferry de Beauvoir (d1473). Amiens Cathedral France.
This carved alabaster monument of Bishop John Stanbury contains his effigy and has saints and angels as mourners carrying shields around all sides. Unfortunately the heads of the angels were chipped off during the reformation.
This window contains two significant pre-Reformation figural panels depicting St Peter (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.
Late Gothic staircase by Guillaume Pontis in 1480, under the direction of cardinal and archbishop William Estouteville. Rouen Cathedral.
Polychrome reliefs retelling the legend of St Firmin a disciple of St Saturninus of Toulouse, founded the first church in Amiens in the third century.
Lord John Cheney (d1499) was a Lancastrian supporter who in 1483 had supported the Duke of Buckingham's rebellion against Richard III. When Buckingham's rebellion failed he joined Henry Tudor in Brittany and returned with him from France in 1485.
This group of eleven relief panels form part of the carved vault decoration of a sacristy bay at the Royal Abbey of Fontevraud. Executed in a soft, chalky limestone typical of the Loire region, the panels combine biblical narrative scenes with hagiographic episodes from the Life of St Nicholas and include one figure of architectural patronage.
These pages document medieval stained glass in the churches of Rouen.
This window in the North transept of Great Malvern Priory was a gift from Henry VII in 1501. Containing scenes from the life of the Virgin Mary and the life of Christ., it is known as the Magnificat window because it contains the Song of Mary from Luke 1:46-55.
These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.
This chantry chapel to Arthur Tudor, covered in tracery and sculptures, was built in 1504. The chest tomb of the 15 year old Prince fills the chapel.
This window forms part of the late-medieval glazing cycle devoted to St Austremoine (St Austremonius), traditionally regarded as one of the missionary bishops sent from Rome to evangelise Gaul. The panels adopt the rich narrative style characteristic of Rouen workshops in the early sixteenth century, combining brightly modelled figures, deep architectural canopies, and landscape backdrops that open the narratives into broad, coherent sequences.
The south aisle of the nave at Saint-Ouen preserves one of the most varied yet coherent hagiographic ensembles in the church’s glazing programme. Although the windows today comprise mixtures of sixteenth-century fragments, nineteenth-century architectural refitting, and extensive twentieth-century restoration, they collectively articulate a single, sustained theme: the commemoration of exemplary saints whose lives, virtues, and martyrdoms offered models for Christian devotion.