Index of Gothic all
This thirteenth century effigy of a Knight dressed in chain mail and surcoat, is thought to be John de Verdun (d1274) a close supporter of King Henry III. The effigy is sculpted from Barnack Rag stone, and can be found in the Saxon church of All Saints Brixworth, Northamptonshire.
Sculpured panel of altar tomb depicting iconic "Lily Crucifixion", of which there are only two other stone sculptures in the UK.
This tall lancet window (c. 1300) os one of two windows that presents a compact cycle of the Life of St Martin, arranged in five horizontal registers, each split into two quatrefoil medallions. The sequence highlights Martin’s charity, his spiritual trials, his episcopal authority, and his miraculous power as missionary and bishop. The glass is characteristic of the early 14th century at Tours, with intense blues and reds, crisp linear painting, and lively narrative detail.
This fragmentary but evocative window from Holy Cross Church, Pattishall, preserves elements of a 14th-century English stained glass narrative cycle. The surviving lights depict a kneeling orant figure with hands raised in prayer, and beside it, a group showing Christ with a disciple or saint, set beneath delicately painted Gothic architectural canopies.
Effigy of a cross legged knight (c1305) thought to be that of Sir Robert Keynes.
Early C14 fragments of stained glass re-set into north chancel window. St. Wilfred, Old Arley, Warwickshire
Defaced C14 effigy of priest on a chest tomb with quatrefoils.
The Tomb of Mabilia de Murdak (also spelled Mabilla or Mabila) is a small 14th-century medieval monument. The tomb is part of a collection of stone memorials in the north chapel (or Gayton Chapel), which includes effigies of local nobility tied to dramatic family events, such as murder and pilgrimage.
The flagellation of St. Margaret of Antioch. Ashby St. Ledgers, Northamptonshire.
These two stained-glass panels from the choir clerestory of St Ouen form a paired narrative of the Massacre of the Innocents, rendered in the incisive and highly expressive manner characteristic of the early 14th-century Norman workshops. Though each panel stands within its own Gothic architectural frame, complete with gabled canopies, foliate bosses, and alternating bands of strong primary colour, the scenes are conceived as a continuous episode of violent disruption, unfolding across two moments of the same biblical tragedy.
Once thought to be an effigial monument to William Longespee (d1250) the date of the armour places this as a 14th century monument.
These two mitred abbots are from about 1327-1330, and can seen in the tracery of the east window of St Nicholas, Stanford-on-Avon, Northamptonshire.
Purbeck marble effigy of Bishop Thomas de Cobham (d1327). Worcester Cathedral.
St Nicholas parish church in Stanford on Avon, Northamptonshire, contains a large amount of stained glass dating from c1330 - 1540. The early glass contains images of Saints and Bishops, whilst the later glass contains Netherlandish roundels, and images of the Cave family that were the donors.
Tomb of Thomas de Savoie (d1337) with eight carved reliefs of weepers or mourners.
Painted by Buonamico Buffalmacco between 1336 - 1341 this fresco in the Camposanto, Pisa, depicts the Triumph of Death.
Considered one of the finest brass monuments in England, this monument is dedicated to Laurence St. Maur (d1337) dean of Hereford.
William de Mortimer la Zouche (d1337) was the second husband of Eleanor de Clare who had these chancel windows made shortly after his death. Eleanor's first husband had been Hugh Despenser the younger, the favourite of Edward II, who was executed at Hereford after Edward II was deposed.
The stained glass windows in the chancel of Tewkesbury Abbey are all from between 1338 and 1340. They were most probably a gift to the Abbey by Eleanor Despenser (nee de Clare) the wife of Hugh Despenser the Younger. Eleanor is thought to be the person depicted in the panel here.
The south west window in the chancel contains images of four knights who were important descendants of the Abbey's founder Robert Fitzhamon.