Posts Tagged ‘pulpit’

All Saints - Middleton Cheney All Saints - Middleton Cheney Gothic tomb. All Saints - Middleton Cheney

The west tower is around 150ft high. The south doorway is original of c1300, and most of the windows are of the Geometrical Gothic style of the same period, but they were renewed by Sir George Gilbert Scott in 1865.

Perpendicular head corbel. All Saints - Middleton Cheney Painted roof. All Saints - Middleton Cheney Perpendicular head corbel. All Saints - Middleton Cheney

The painted roof has Perpendicular style head corbels.

Perpendicular style font. All Saints - Middleton Cheney Perpendicular style pulpit. All Saints - Middleton Cheney Perpendicular style pulpit. All Saints - Middleton Cheney

The Perpendicular style is also relected in the font and pulpit. However, the body of the church is in the Decorative Gothic style dating from 1325-1335.

Three young men in the fiery furnace - Burne-Jones Morris & Co. stained glass - All Saints - Middleton Cheney

However, what makes Middleton Cheney is the stained glass work by Morris & co. The west window has a piece entitled “Three young men in the fiery furnace” by Burne-Jones.

East window memorial to William Croome - All Saints - Middleton Cheney East window memorial to William Croome - All Saints - Middleton Cheney

The East window memorial to William Croome (d1865). Designed by William Morris Co 1864.The figures below the tracery lights represents the twelve tribes of the Apolcalypse. Below are representations off Adam, Noah, David, Isiah, St Peter, St. Paul, St Augustine, St Catherine, Abraham, Moses, Eve, the Virgin, Magdalene, and St. Agnes.

The Censing Angels, Seraph, St. Peter, St. Augustine, St. Catherine, Eve, the Virgin, Magdalene, and St. Agnes are by William Morris. The four beasts, and the banners are by Philip Webb. The Adoration of the Lamb and St Alban are by Burne-Jones. St. John and St. Paul by Ford Madox Brown. The twelve tribes, David, Isiah, Abraham, and Moses by Simeon Solomon.

South chancel window - All Saints - Middleton Cheney South chancel window - All Saints - Middleton Cheney South chancel window - All Saints - Middleton Cheney

The south window of the chancel contains panels by Ford Madox Brown depicting scenes from the old testament. The tracery light is by Philip Webb.

North chancel window - All Saints - Middleton Cheney North chancel window - All Saints - Middleton Cheney North chancel window - All Saints - Middleton Cheney

North chancel window - All Saints - Middleton Cheney North chancel window - All Saints - Middleton Cheney North chancel window - All Saints - Middleton Cheney

The two north chancel windows were designed by Burne-Jones as a memorial to his friend W.C. Buckley who was the vicar.

Mosaic. All Saints - Middleton Cheney Mosaic. All Saints - Middleton Cheney

In addition to the stained glass the church also contains mosaics by the company of James Powell & sons.

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Ashby St Ledgers Ashby St Ledgers

The parish church of the Blessed Virgin Mary and Saint Leodegarius dates from 1100, but is mostly an C14-C15 construction. Saint Leodegarius was a French Benedictine Bishop who became abbot of St. Maxentius in 653.

The gabled south porch and most of the pews in the nave are early 14th century.

The crucifix above the rood screen was designed and made by Liz Holden from Long Buckby in 1995. The rood screen itself dates from 1500 and was installed by George Catesby as a thanks offering for the return of the Estate to the family two years earlier in 1498. The estate had been confiscated in 1485 following the execution of William Catesby, a principle councilor to Richard III, who had been captured by Henry Tudor at the Battle of Bosworth (22 August 1485).

The Catesby’s next came to prominence when Robert Catesby (1573 – November 8, 1605), became the originator of the plot to blow up James I and Parliament in 1605.

Nave, Ashby St Ledgers ashby st ledgers 48 (by Walwyn) ashby st ledgers 12 (by Walwyn)

The triple level Jacobean pulpit and box pews behind it are early 17th century. The pews in front are medieval, the lower level rests were for elbows, as the congregation would not have had books. The clerk would sit in the lower part of the pulpit, whilst the vicar conducted the service from the middle tier and the preacher at the top. The chancel was extensively remodeled during the C18 and C19.

ashby st ledgers 37 (by Walwyn) ashby st ledgers 25 (by Walwyn) ashby st ledgers 27 (by Walwyn)

The south wall contains a fresco of 1325 depicting the flagellation of St. Margaret. The west wall has a 16th century fresco commemorating the Black Death. The figure of Death holds a spade and pick. The north wall has a large 15th century fresco of St. Christopher.

ashby st ledgers 53 (by Walwyn) ashby st ledgers 50 (by Walwyn)

Above the chancel arch are medieval wall paintings depicting "The Passion" these frescos are 14th and 15th century. They were uncovered during restoration work in 1927 and are the most extensive cycles in the UK. The section on the south wall depicts the crucifixion and the Marys at the tomb, that on the north wall the entry into Jerusalem.
ashby-st-ledgers-church.co.uk/index.html

ashby st ledgers 24 (by Walwyn) ashby st ledgers 14 (by Walwyn) ashby st ledgers 33 (by Walwyn)

The plain font is Norman with a medieval wooden cover. The C19 chancel window has scenes showing the nativity, Risen Christ, and three Mary’s at the tomb. In the north aisle is a full length brass figure of Sir Richard Catesby 1553, wearing tabard with Catesby Arms.

ashby st ledgers 65 (by Walwyn) ashby st ledgers 57 (by Walwyn)

The rood screen has 4 traceried openings, coving with fan vaulting, and dado with blind tracery and original painted decoration.

Sculpture of St Leger at Chartres Cathedral.

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30
Jan

Wolfhampcote – St. Peter.

   Posted by: churches    in Rugby District, Warwickshire

St. Peter - Wolfhampcote

Due to the small population of the parish St. Peter’s has been closed and reopened a number of times during the last 150 years. It finally ceased to hold any regular services in the 1950s.

Nowadays it is owned by the Churches Conservation Trust, and remains a consecrated building, although services are only held here once a year.

The church originally served the nearby medieval village which was abandoned some time during the 14th century. The church continued to serve the villages of Flecknoe, Sawbridge, and Nethercote. However, a smaller church was built in the late 19th century in the village of Flecknoe which is about 2-3 miles away as the crow files. The building was paid for by the railway company in 1891 as compensation for the disruption caused at Wolfhampcote. The railway itself was closed to passengers in 1952 but carried freight until 1963.

Pews St. Peter - Wolfhampcote Anglo-Saxon font, St. Peter - Wolfhampcote Pulpit St. Peter - Wolfhampcote

The pews in the foreground are medieval as can be seen by the low shelf which is for resting elbows, not books. The date of these pews is thought to be 14th century but there is some evidence for an earlier 11th century date. The font is Anglo-Saxon. The octagonal pulpit with inlaid panels is dated 1790.

North chapel, St. Peter - Wolfhampcote Chancel, St. Peter - Wolfhampcote

The chancel contains a modern pointed traceried five-light window, and the altar rails are also modern. The floor is paved with a number of memorial slabs from the 18th century, and the walls contain 19th century memorials to the Tibbits family.

Corbel, St. Peter - Wolfhampcote King post roof, St. Peter - Wolfhampcote Corbel, St. Peter - Wolfhampcote

On either side of the chancel arch are half-round moulded corbels. The steep-pitched king-post roof in the chancel consisting of three trusses, and is probably 14th century.

Piscina, St. Peter - Wolfhampcote Memorial cross, St. Peter - Wolfhampcote Memorial, St. Peter - Wolfhampcote

A C14 ogee-headed piscina with circular basin is inset into the south wall of the north chapel, indicating that an altar was once there. The north aisle has a memorial cross to John Truslove who died aged 16.

Memorial, St. Peter - Wolfhampcote Memorial, St. Peter - Wolfhampcote

The sanctuary contains memorial slabs and a brass memorial to Frances Benyon wife of parish minister (died 1687).

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24
Jan

Welton – St Martin.

   Posted by: churches    in Daventry District, Northamptonshire

St. Martin - Welton St. Martin - Welton

Parish church of St. Martin, Welton.

St. Martin - Welton Child's gravestone St. Martin Font, St. Martin - Welton

Gravestone of John Hewitt, lost and starved to death aged 6. The simple font is late medieval.

Pulpit, St. Martin - Welton Alms box, St. Martin - Welton Memorial, St. Martin - Welton

The pulpit was carved by local villagers, a wooden alms box stands by the door, and a C18 memorial plaque on the wall beside the pulpit.

Chancel, St. Martin - Welton Marble and Malachite, St. Martin - Welton

The C19 polychrome marbles and malachite floor, is reputed to be a Russian gift.

welton 25012008-017 (by Walwyn) welton 25012008-024 (by Walwyn) welton 25012008-033 (by Walwyn)

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20
Dec

Ladbroke – All Saints.

   Posted by: churches    in Stratford-upon-Avon District, Warwickshire

All Saints - Ladbroke Chancel - Ladbroke

All Saints parish church was originally built in the 13th century and was entirely rebuilt in the 14th century.

East window and Nave - Ladbroke Memorial window and effigy- Ladbroke Detail memorial window - Ladbroke

Late in the 15th century the nave and chancel were raised, the church was last restored and re-roofed by Sir Gilbert Scott in 1876. The memorial stained glass is dedicated to Charles Rowland Palmer-Morewood High Sheriff of Warwickshire (1881). The window itself is 15th century inserted into a 14th century recess.

Effigy - Ladbroke Sedillia - Ladbroke

The effigy is thought to be that of Roger de Paveley the second rector of Ladbroke (1298-1303) but is probably later. It was discovered under the chancel during restoration in 1876. The sedilia with three seats, has moulded cinquefoil ogee heads with crockets, poppy-head finials and head-stops over the moulded mullions dividing the seats; except for the two mullions it is a modern restoration.

Detail Mary Magdalene and Jesus - Ladbroke Mary Magdalene and Jesus - Ladbroke Detail Mary Magdalene and Jesus - Ladbroke

This window show the encounter between Mary Magdalene and Jesus at the Tomb. The inscription is from John 20:17 and reads “Do not touch me, for I am not yet ascended to my Father”.

Stained glass window - Ladbroke Stained glass window - Ladbroke Stained glass window - Ladbroke

Stained glass window - Ladbroke Memorial brass - Ladbroke All Saints - Ladbroke

Pulpit - Ladbroke Font - Ladbroke Memorial plaque - Ladbroke

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