PeriodIndex
St Peter and St Simeon with the Christ Child - Lichfield Cathedral
This window contains two significant pre-Reformation figural panels depicting St Peter (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.
Easter Sepulchre - Neufchâtel-en-Bray, France
This, late 15th–early 16th century, Easter Sepulchre group depicts the moment of Christ’s entombment, a subject traditionally shown in Holy Week rituals in northern France and the Low Countries. The scene is arranged beneath a shallow architectural canopy, gathering together the key figures who, according to the Gospels, prepared Christ’s body for burial.
Helyn Hardy Brass - Lyddington, Rutland
Brass monument at St. Andrew, Lyddington to Helyn Hardy (d1486).
Henry Tudor and Elizabeth of York - Stanford on Avon
This remarkable window (1490-1505), rediscovered packed away in 1932, forms the lower section of the great east window at Stanford-on-Avon. It is one of the most striking survivals of late medieval royal propaganda in stained glass, created to celebrate the accession and legitimacy of Henry VII and the founding of the Tudor dynasty.
Sacristy Vault Panels - Abbaye Royale de Fontevraud
This group of eleven relief panels form part of the carved vault decoration of a sacristy bay at the Royal Abbey of Fontevraud. Executed in a soft, chalky limestone typical of the Loire region, the panels combine biblical narrative scenes with hagiographic episodes from the Life of St Nicholas and include one figure of architectural patronage.
Rouen France

These pages document medieval stained glass in the churches of Rouen.
16th century church monuments
In the 16th century (c. 1500–1600), church monuments transitioned from late Gothic to Renaissance styles amid the Reformation (1530s onward). Brasses dominated for the middle classes; alabaster tombs for elites. Meanwhile religious upheaval reduced overt Catholic imagery.
Ascension, Descent into Hell
These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.














