19th century

Salvator Mundi - Gloucester Cathedral

Salvator Mundi - Gloucester Cathedral

This window by Hardman & Co., illustrates a Salvator Mundi in the typanum, whilst below are three panels depicting St Agnes , The Virgin Mary , and St Dorothy.

 

 

 

Salvator Mundi - Maidford, Northamptonshire

Salvator Mundi - Maidford, Northamptonshire

The east window of 1875, made by John Hardman & Co., stands in the church at Maidford. The central light depicts Christ as Salvator Mundi, set within flanking lights of patterned diamond quarries.

Selles-sur-Cher

Selles-sur-Cher

Dated 1887 this window of St Joseph, by Noel Lavergne, is in the church of Notre Dame la Blanche, Selles-sur-Cher.

 

 

Selles-sur-Cher

Selles-sur-Cher

This window of St. Peter receiving the keys of heaven, in the church of Notre Dame la Blanche, Selles-sur-Cher, is by Claudius Lavergne. The window is dated 1889 which is two years after Claudius Lavergne's death.

 

 

Shrigley & Hunt

Active: 1874–1982
Shrigley & Hunt

Hudson, Shrigley and Co were originally church decorators in Lancaster. In about 1871 they employed, Arthur Hunt from Hertfordshire, who had trained as a stained glass maker with Heaton, Butler and Bayne, as the company manager. Hunt had a good business sense and within 8 years had taken over control  of the company, employing talented artist like Carl Almquist and Edward Jewitt. Carl Almquist became the chief designer for the firm in 1873 and from 1879 was working mainly from their newly acquired London Studio. The company also made art tiles and developed a style of figurative stained glass work that was inspired by the Renaissance rather than the Gothic

South Aisle, Orleans Cathedral

 

These 5 stained glass windows are part of a series of 10 windows on the life of Joan of Arc. They are part of a commission by Jacque Galland and Esprit Gibelin for Orleans Cathedral in France.

 

 

South chancel window - Middleton Cheney

South chancel window - Middleton Cheney

The south window of the chancel at All Saints, Middleton Cheney, contains two important stained-glass panels designed by Ford Madox Brown in 1870, created during his period of work for Morris, Marshall, Faulkner & Co. These windows are among the finest surviving examples of Brown’s contribution to Victorian ecclesiastical glass, characterised by his expressive figures, sculptural modelling, and dense narrative detail.

 

 

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