Throckmorton tomb - Coughton Warwickshire
Marble tomb of Sir John Throckmorton (d1580) and his wife Marjorie.
England
Tomb of Ambrose Dudley - St Mary, Warwick
This alabaster and marble monument is to Ambrose Dudley (d1590), 3rd earl of Warwick. It consists of a effigy on a tomb chest with pilasters and angled columns. The Warwick bear is at his feet and the tomb chest contains heraldic shields around its sides.
Traherne Memorial - Hereford Cathederal
Memorial to English Metaphysical poet Thomas Traherne (1637-74) by Tom Denny, Audley Chapel, Hereford Cathederal.
Transfiguration - Guilsborough, Northamptonshire
This stained-glass window depicting the Transfiguration of Christ was made in 1887 by Burlison and Grylls and presented to the church by Lady Cicely Clifton. It follows a well-established iconographic scheme, arranged in two registers beneath a Gothic architectural canopy.
Transfiguration - Tewkesbury Abbey
This window by Hardman (1892) is Christ in Glory with the prophets Moses and Elijah to the left and right.
Two Mary's and Angel at the Tomb - Guilsborough, Northamptonshire
1908 stained glass window by Powell & sons (Whitefriars) depicting an angel greeting the two Mary's in front of the tomb.
Two Mitred Abbots - Stanford on Avon, Northamptonshire
These two mitred abbots are from about 1327-1330, and can seen in the tracery of the east window of St Nicholas, Stanford-on-Avon, Northamptonshire.
Unidentified 15th century knight and lady - Lutterworth, Leicestershire
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
Victoria Diamond Jubilee Window - Great Malvern Priory
This window by CE Kempe was installed in the South Aisle Chapel in 1897 to commemorate the Diamond Jubilee of Queen Victoria. The window was paid for by subscription from the women of the parish.
Virgin and Child with attendants - Thenford Northamptonshire
This carved pew-end panel, from Thenford, Northamptonshire, dates to the late sixteenth or early seventeenth century (c.1580–1625) and belongs to the tradition of figurative church woodwork produced in England after the Reformation. Executed in shallow relief and enclosed within a moulded rectangular frame, the panel presents a compact and emblematic sacred image rather than a narrative scene.
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