This fresco of the "Scourging of Christ" is by Fra Angelico in cell 4 of the San Marco, Florence novice accommodation. Here St Dominic flagellates himself whilst observing the scene, by emphasing the Dominican Order's focus on prayer, study, and penance the image invites the cell's occupant to emulate the martyr.

At the center of the fresco stands Christ, bound to a short column, his body slightly turned and head bowed in gentle resignation. He is half-nude, wearing only the white loincloth and crowned with a radiant halo marked by a cross. Christ’s posture is calm and upright, not contorted or violent, he bears his suffering in silence and dignity. Fra Angelico has suppresses all brutality, and the pain is inward, spiritual.

To the left, the Virgin Mary sits on the ground, robed in muted rose and blue. Her open hand and lowered gaze express sorrowful acceptance, not despair. To the right, is not simply observing the Scourging, he kneels in deep, interior prayer, positioned within the same architectural space as Christ and the Virgin. He is not historically part of the Passion narrative; his inclusion signals that the scene is a vision or meditation. Fra Angelico invites the friar who occupied this cell to become Dominic, to enter the mystery through identification, humility, and empathy.

The architecture behind the figures is a simple portico with red wall panels and rounded arches, similar to the convent’s real architecture. The shallow, boxlike space recalls a chapel interior, stripped of any distracting detail. The red background symbolizes both the blood of Christ and the divine fire of love. The cool tones of the floor and the soft modeling of the figures create a contrast that focuses attention entirely on the sacred drama.

This fresco embodies Fra Angelico’s gift for turning violent Gospel scenes into moments of quiet spiritual reflection.
The scourgers themselves are absent — their omission transforms the event into a vision of suffering transcended by peace. Christ’s endurance is an image of perfect obedience and divine patience; the viewer is invited to contemplate not physical pain, but spiritual surrender. Mary’s presence represents compassion and co-suffering, while St. Dominic models prayerful contemplation, which is the ideal Dominican response to the Passion.

In the devotional program of the San Marco cells, this fresco would guide the friar’s meditation on the Passion. It teaches the virtue of endurance in suffering, the union of compassion and contemplation, and the redemptive value of silent prayer. The friar, like St. Dominic, was called to internalize the scene, to stand spiritually beside Christ and the Virgin, participating inwardly in the mystery of redemption.