Sir Richard Pembridge (d1375) was one of the earliest Knights of the Garter, being elected following the death of Thomas Ufford in 1368. He was present at all of Edward III's major victories during the Hundred Years War: Sluys (1340), Creçy (1346), the Siege of Calais (1347), and Poiters (1356) where he fought alongside the Black Prince.
Frescos depicting the annunciation.
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
This early fifteenth century wall painting of Christ at the Last Judgement sitting on a rainbow between praying figures of the Virgin Mary ⓘ and St John the Evangelist ⓘ, can be found in the Collegiate Church ⓘ of St Aignan.
White marble effigy of Cardinal Jean de la Grange (d1402).
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
Large brass monument to William Bagot (d1407) and his wife Margaret.
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
This 19in high brass monument is dedicated to John Cressy (d1414) and his wife Christine, can be found in the churchj of St Mary Dodford, Northamptonshire.
Tomb of William de Roos (d1414), 6th Baron Ros, 6th Baron Roos, Bottesford Leicestershire.
C15 (c1420-1450) painting on the subject of the "Seven Deadly Sins".
A common subject painted in medieval churches where scenes of the "Last Judgment" or "Doom". Often they would be painted above the chancel arch. A central figure of risen Christ with the instruments of the passion would be painted, or a crucifixion with the Virgin Mary ⓘ and St John the Evangelist ⓘ.
Fom about 1420, the figures on the right are thought to be Louis II of Chalon, count of Saint Aignan, his mother, and his second wife Jeanne de Perellos.
The two kneeling benefactors are thought to be Louis II of Chalon and Jeanne de Perellos.
This brass monument to William Wylde (d1422) and wife can be found in the church of St Mary, Dodford, Northamptonshire.
Brass monument to William Chichele (d1425) and wife. 4ft 3in figures under ogee gables.
This two storied tomb for Richard de Beauchamp, 1st Earl of Worcester (d1421) was built in 1430 by his wife Lady Isabel le Despenser, the great grand-daughter of Edward III. It was probably meant to contain priant figures of both Richard, Isabel, and her second husband Richard de Beauchamp, 13th Earl of Warwick, who was her first husband's cousin.
The archangel St. Michael, is the principal angel and field commander of the Army of God. His name is the war-cry of the good angels in the battle fought in heaven against Satan and his followers. He is often depicted triumphant over the enemy.
The Marmousets Portal Tympanum ⓘ is a late Gothic sculpture adorning the Porche des Marmousets (Portal of the Marmousets) is the main pedestrian entrance to the Abbey Church of Saint-Ouen in Rouen, Normandy, France. This Flamboyant Gothic portal, primarily honors the Virgin Mary ⓘ, dates to around 1430 and was crafted by the master sculptor Alexandre de Berneval, and is located at the south transept.
Between 1431 and 1438, the Florentine sculptor Luca della Robbia ⓘ carved in marble one of the most radiant celebrations of music and childhood in the early Renaissance, the Cantoria, or singing gallery, originally made for the north singing gallery of Florence Cathedral.
