Index of all Stained Glass

Set within the tracery lights of the great east window at St Peter’s, Coughton, these panels form part of a distinguished group of Tudor heraldic glass. At the centre are the royal arms of Henry VIII, impaled with those of Catherine of Aragon, enclosed by the initials H and K and surrounded by the Tudor emblems of the rose, portcullis, and crown. The inclusion of Catherine’s arms confirms that the glass was installed before the annulment of their marriage in 1533, most likely during the first decade of Henry’s reign.

 

 

Renaissance Crucifixion by Tours school of glass painters

The Crucifixion window in the Church of Saint John the Baptist at Montrésor, in the Indre-et-Loire region of France, is one of the finest surviving examples of early sixteenth-century stained glass in the Loire Valley. Filling a tall Gothic lancet divided into several vertical lights, it unfolds as a vivid narrative of the Passion of Christ, rendered in rich Renaissance color and form.

Life of St Agnes

This window (c1550) presents a sequence from the Life and Martyrdom of St Agnes, the young Roman virgin celebrated for her steadfast refusal to accept a pagan suitor and her unwavering confession of faith. Produced by a Rouen workshop in the early sixteenth century, the window follows the typical Saint-Ouen format: narrative scenes set beneath tall Gothic canopies, framed by alternating architectural and landscape elements.

Composite Window

This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.

Life of St Vincent

This window (c1550) illustrates episodes from the martyrdom of St Vincent of Saragossa, one of the most widely venerated deacons of the early Church. Created by a Rouen atelier in the early sixteenth century, the glass adopts the familiar layout of the Saint-Ouen narrative series: scenes arranged beneath richly architectural Gothic canopies, each panel presenting a distinct moment from the saint’s Passion.

 

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