This window contains two significant pre-Reformation figural panels depicting St Peter (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.
This remarkable window (1490-1505), rediscovered packed away in 1932, forms the lower section of the great east window at Stanford-on-Avon. It is one of the most striking survivals of late medieval royal propaganda in stained glass, created to celebrate the accession and legitimacy of Henry VII and the founding of the Tudor dynasty.
Some of the 16th century and earlier stained glass that can be found in Beauvais France. In particular the works of the le Prince family in Beauvais Cathedral and the parish church of St Ettiene.
These pages document medieval stained glass in the churches of Rouen.
These panels from the 'Magnificat' window (1501) at Malvern Priory depict the Archangel Michael on the left. On the top right is Jesus ascent into Heaven, whilst the bottom right panel shows the damned descent into hell.
This window in the North transept of Great Malvern Priory was a gift from Henry VII in 1501. Containing scenes from the life of the Virgin Mary and the life of Christ., it is known as the Magnificat window because it contains the Song of Mary from Luke 1:46-55.
This detail of the Magnificat window (1501) at Great Malvern Priory, spans three lights and represents the Coronation of the Virgin.
This Tree of Jesse in the church of St Godard Rouen, is the work of Arnoult de Nimégue (1506).
This window (c1508) depicts key moments from the life and martyrdom of St Catherine of Alexandria, a learned noblewoman whose legend was widely celebrated in late-medieval Europe. The glazing, produced by a Rouen workshop in the early sixteenth century, follows the characteristic format of the Saint-Ouen cycles: tightly framed narrative scenes beneath elaborate Gothic canopies, enriched with vivid colour and detailed architectural settings.
This window narrates episodes from the apocryphal infancy cycle concerning St Anne and St Joachim, parents of the Virgin Mary. Executed in the early sixteenth century by a Rouen workshop, the glass combines dense architectural canopies with clear, compartmentalised scenes, allowing the viewer to follow the story across multiple lights.