"Three young men in the fiery furnace" Edward Burne-Jones (1870).
Victorian
Made in 1895 by Burlison & Grylls this Transfiguration scene was give to St Etheldreda and St Wilfred church, Guilsborough by Lady Cicely Clifton. Time has not been kind to this window with a number of the faces and clothing fading.
This window by Hardman (1892) is Christ in Glory with the prophets Moses and Elijah to the left and right.
This window by CE Kempe was installed in the South Aisle Chapel in 1897 to commemorate the Diamond Jubilee of Queen Victoria. The window was paid for by subscription from the women of the parish.
Window at Middleton Cheney were designed by Burne-Jones (1893) as a memorial to his friend W.C. Buckley
William Wailes (1808-1881) was born in Newcastle and originally started grocery and tea-dealing business. He studied the manufacture of stained glass in Munich in the 1830s, and by 1838 start his own company in Newcastle-upon-Tyne.
This window by Hardman (1892) is Christ in Glory with the prophets Moses and Elijah to the left and right.
The company began in 1836 as Ward and Nixon, the two worked together for twenty years, exporting windows all over the world. In 1855 they were given the contract for re-glazing of East Window of Lincoln Cathedral. By which time James Nixon started to take less active part in the business and died in 1857.
Memorial Window to William Walter Slye by CE. Kempe (1906) - All Saints, West Haddon.
William Morris (1834–1896) stands as one of the central figures in the revival of British stained glass during the second half of the nineteenth century. Through the firms Morris, Marshall, Faulkner & Co. and later Morris & Co., his designs — and those of his close collaborators, especially Edward Burne-Jones, Ford Madox Brown, and Dante Gabriel Rossetti — transformed the visual language of Victorian church decoration.
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