Stained Glass
St Peter and St Simeon with the Christ Child - Lichfield Cathedral
This window contains two significant pre-Reformation figural panels depicting St Peter (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.
St. Elizabeth and St. Anne - Middleton Cheney

The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.
Stained glass

The stained glass of Great Malvern Priory survives in unusually varied condition and represents several distinct phases of glazing activity spanning the fifteenth century to the present day. Together, these windows form a layered visual record of patronage, devotion, restoration, and renewal within a single ecclesiastical site.
Stained glass
The Annunciation - Bourges Cathedral
This four-light window depicts the Annunciation to the Virgin Mary, a masterwork of mid-15th-century French stained glass and one of the earliest panels in the south ambulatory cycle at Bourges Cathedral. At the centre, the Archangel Gabriel, richly vested in a scarlet cope patterned with gold shells and miniature saintly figures, kneels before the Virgin Mary, who stands at the right holding a book of hours and clothed in green and white robes edged with gold







