Stained Glass
The Last Judgement

This medieval window in the chancel of Tewkesbury dates from 1338. The main panels depicts the Last Judgement, and the Coronation of the Virgin is the subject of the rose window.
The Life of St Agnes - Abbey Church of Saint-Ouen, Rouen
This window (c1550) presents a sequence from the Life and Martyrdom of St Agnes, the young Roman virgin celebrated for her steadfast refusal to accept a pagan suitor and her unwavering confession of faith. Produced by a Rouen workshop in the early sixteenth century, the window follows the typical Saint-Ouen format: narrative scenes set beneath tall Gothic canopies, framed by alternating architectural and landscape elements.
The Life of St Anne and St Joachim - Abbey Church of Saint-Ouen, Rouen

This window narrates episodes from the apocryphal infancy cycle concerning St Anne and St Joachim, parents of the Virgin Mary. Executed in the early sixteenth century by a Rouen workshop, the glass combines dense architectural canopies with clear, compartmentalised scenes, allowing the viewer to follow the story across multiple lights.
The Life of St Austremoine - Abbey Church of Saint-Ouen, Rouen
This window forms part of the late-medieval glazing cycle devoted to St Austremoine (St Austremonius), traditionally regarded as one of the missionary bishops sent from Rome to evangelise Gaul. The panels adopt the rich narrative style characteristic of Rouen workshops in the early sixteenth century, combining brightly modelled figures, deep architectural canopies, and landscape backdrops that open the narratives into broad, coherent sequences.
The Life of St Catherine - Abbey Church of Saint-Ouen, Rouen
This window (c1508) depicts key moments from the life and martyrdom of St Catherine of Alexandria, a learned noblewoman whose legend was widely celebrated in late-medieval Europe. The glazing, produced by a Rouen workshop in the early sixteenth century, follows the characteristic format of the Saint-Ouen cycles: tightly framed narrative scenes beneath elaborate Gothic canopies, enriched with vivid colour and detailed architectural settings.
The Life of St Vincent - Abbey Church of Saint-Ouen, Rouen
This window (c1550) illustrates episodes from the martyrdom of St Vincent of Saragossa, one of the most widely venerated deacons of the early Church. Created by a Rouen atelier in the early sixteenth century, the glass adopts the familiar layout of the Saint-Ouen narrative series: scenes arranged beneath richly architectural Gothic canopies, each panel presenting a distinct moment from the saint’s Passion.
The Millennium Windows at Orléans Cathedral
Pierre Carron’s Millennium Windows at Orléans Cathedral stand as luminous meditations on creation, light, and faith renewed at the turn of the twenty-first century. Set within the soaring Gothic tracery of the cathedral, they bridge centuries of sacred art by merging medieval structure with a modern painter’s vision.
The South Aisle Nave Windows — Abbey Church of Saint-Ouen, Rouen
The south aisle of the nave at Saint-Ouen preserves one of the most varied yet coherent hagiographic ensembles in the church’s glazing programme. Although the windows today comprise mixtures of sixteenth-century fragments, nineteenth-century architectural refitting, and extensive twentieth-century restoration, they collectively articulate a single, sustained theme: the commemoration of exemplary saints whose lives, virtues, and martyrdoms offered models for Christian devotion.
The Stained Glass Cycle at Déols
Between 1929 and 1932 the Parisian atelier Mauméjean Frères created a vivid sequence of stained-glass windows for the church of Notre-Dame, Déols. The cycle traces key moments in the lives of the Virgin Mary and Christ, from the Nativity and Annunciation through the Visitation and the miracle at Cana, and finally to the Crucifixion, Resurrection, and the heavenly Coronation of the Virgin.





