PeriodIndex
w.204 St Andrew and St John - Bourges Cathedral
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
w.210 James the Less, Barnabas, and Thaddeus - Bourges Cathedral

Window w.210 forms part of the southern clerestory apostolic cycle of Bourges Cathedral. Created in the first decades of the 13th century, this scheme is contemporary with the cathedral’s great choir and represents one of the finest ensembles of High Gothic stained glass in France.
Mary Magdalene
Depicting the events in the life of Mary of Magdalene this window, in Chartres Cathedral, is from about 1210. According to Christian tradition she was one of Jesus' follows in Galilee, healed of seven devils, was present at the crucifixion, was the person to find the tomb empty, and the first person whom Jesus appeared to and given the task of announcing his Resurrection.
w.208 The Apostles Bartholomew, Matthew, and Simon - Bourges Cathedral
Window 208 forms part of the distinguished apostolic cycle that runs around the clerestory of Bourges Cathedral. It presents three standing apostles in individual lancets: St Bartholomew on the left, St Matthew in the centre, and St Simon on the right. Each is set before a deep blue background and surrounded by the richly coloured geometric border characteristic of the Bourges glazing workshop in the early thirteenth century.
w.206 St James the Greater, St Philip, and St Thomas - Bourges Cathedral
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
w.212 St Mark, St Luke, and St Matthias - Bourges Cathedral
Window w.212, located high in the south choir clerestory of Bourges Cathedral, dates from c.1210–1215 and belongs to the earliest glazing phase of the High Gothic choir. The window presents two Evangelists, Mark and Luke, and one Apostle, Matthias.
This trio forms part of a wider apostolic–evangelist cycle distributed around the clerestory, each figure shown as a monumental standing saint set within a richly patterned Gothic frame.
Portal Of The Virgin
This portal of the Virgin, at Notre Dame Paris, was sculpted between 1210 and 1220. The main scene show the Coronation of the Virgin, where Mary is being crowned Queen of heaven by an angel, whilst she sits on the same throne as Jesus. In the lintel below is Mary on her death bed surrounded by Jesus and the twelve aposles, two angels are about to lift her to heaven. In the lower lintel the old testament prophets are holding scrolls prophesying Christ.
John of England Tomb - Worcester Cathedral
Tomb of King John the youngest son of Henry II and Eleanor of Aquitaine. Made from Purbeck marble the sarcophagus dates from about 1230 and is the earliest effigy in the country to an English king. Originally the effigy would have lain on the floor, but as more elaborate tombs were installed in later years, John's effigy was raised up to rest on a tomb chest that was made in about 1540.
Zodiac Window
Donated by Thibault VI count of Chartres, in 1217, on behalf of Thomas count of Perche, this window illustrates the signs of the zodiac on the right hand side of the window, and the labouirs of the months on the left hand side. The four central quatrefoils are split between the months and the zodiac.
Western Facade - Amiens Cathedral
The western facade of the cathedral of Notre-Dame in Amiens contains 3 doorways. A central portal that opens into the nave, and two portals beneath the north and south towers that open into the cathedral's aisles. Above each portal is a tympanum the central one depicting the last Judgement, the northern one the transfer of the relics of St Firmin, and the south portal depicts the Virgin Mary.















