Index of Medieval Stained glass
Blue Virgin
Set into a 13th century window, in the south ambulatory of the choir (bay 44) of Chartres Cathedral, this is one of the most celebrated medieval artworks in the Cathédrale Notre-Dame de Chartres.It dates primarily to c. 1180 CE, with later additions around 1225 CE, making it a rare survivor from the pre-1194 fire that destroyed the earlier Romanesque cathedral.
w.212 St Mark, St Luke, and St Matthias - Bourges Cathedral
Window w.212, located high in the south choir clerestory of Bourges Cathedral, dates from c.1210–1215 and belongs to the earliest glazing phase of the High Gothic choir. The window presents two Evangelists, Mark and Luke, and one Apostle, Matthias.
This trio forms part of a wider apostolic–evangelist cycle distributed around the clerestory, each figure shown as a monumental standing saint set within a richly patterned Gothic frame.
Mary Magdalene
Depicting the events in the life of Mary of Magdalene this window, in Chartres Cathedral, is from about 1210. According to Christian tradition she was one of Jesus' follows in Galilee, healed of seven devils, was present at the crucifixion, was the person to find the tomb empty, and the first person whom Jesus appeared to and given the task of announcing his Resurrection.
w.210 James the Less, Barnabas, and Thaddeus - Bourges Cathedral

Window w.210 forms part of the southern clerestory apostolic cycle of Bourges Cathedral. Created in the first decades of the 13th century, this scheme is contemporary with the cathedral’s great choir and represents one of the finest ensembles of High Gothic stained glass in France.
w.206 St James the Greater, St Philip, and St Thomas - Bourges Cathedral
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
w.204 St Andrew and St John - Bourges Cathedral
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
Zodiac Window
Donated by Thibault VI count of Chartres, in 1217, on behalf of Thomas count of Perche, this window illustrates the signs of the zodiac on the right hand side of the window, and the labouirs of the months on the left hand side. The four central quatrefoils are split between the months and the zodiac.
Tours Cathedral
The stained glass windows in this section are all from the chancel and choir clerestory of Saint Gatien's Cathedral in Tours. They all date from the between 1250 and 1300 and are contemporary with the rebuilding of the chancel between 1236-1279. The windows in the apse are the earlier and date between 1250-1260, whilst those in the clerestory were installed in the last part of the 13th century.

















