William Wailes (1808-1881) was born in Newcastle and originally started grocery and tea-dealing business. He studied the manufacture of stained glass in Munich in the 1830s, and by 1838 start his own company in Newcastle-upon-Tyne.
Index of Victorian %2
Holland of Warwick, located on [no-glossary]St John's[/no-glossary] road Warwick were stained glass makers during the second half of the 19th century. In the 1850s they were one of the main manufacturers in the depressed town.
William Morris (1834–1896) stands as one of the central figures in the revival of British stained glass during the second half of the nineteenth century. Through the firms Morris, Marshall, Faulkner & Co. and later Morris & Co., his designs — and those of his close collaborators, especially Edward Burne-Jones, Ford Madox Brown, and Dante Gabriel Rossetti — transformed the visual language of Victorian church decoration.
Monument to Bishop Joseph Allen (1845).
Monument by Richard Westmacott Jr to Robert (d1844) and Sophia (d1849) Otway Cave.
John Hardman windows of 1854 depicting The Annunciation, The Assumption, and St. Stephen.
Stained glass by John Hardman in the church of St. Joseph Avon Dassett.
Lavers, Barraud, and Westlake were part of the Victorian Gothic Revival of stained glass. Originally Nathaniel Wood Lavers and Francis Philip Barraud had worked for Powell & Sons, and Lavers started his own studio in 1855 and was Barraud joined him in 1858 as the designer.
Six lancet windows, by Hardman and company, in the nave of St Joseph, Avon Dassett, Warwickshire.
These stained glass windows in the clerestory of Quire at Gloucester Cathedral were made by Clayton and Bell in the early second half of the 19th century. The original medieval clerestory glass had been transferred to fill in damaged panels in other windows in the cathedral notably the great east window and the window in the Lady Chapel.