Index of Romanesque all

North Portal - Bourges Cathedral

The north portal of Bourges Cathedral is dedicated to the Virgin Mary. The Tympanum dates from between 1160 and was part of the older church the the Gothic cathedral replaced. This portal suffered a lot of damage during the Wars of Religion in 1562.

Romanesque font - St Margaret Crick

This C12 font has a circular bowl with a bead decoration which is supported by three crouching Atlas figures supporting the red sandstone bowl.

 

 

 

 

Royal Portal - Chartres Cathedral

Royal Portal - Chartres Cathedral

Since its construction in around 1150, the western portal of Chartres Cathedral, decorated with elongated late Romanesque style figures of the Kings and Queens of the Old Testament has been known as the Royal Portal.

 

 

 

Our Lady of Orcival - Puy-de-Dôme

Our Lady of Orcival - Puy-de-Dôme

In form and iconography, the statue is closely modelled on the celebrated “Golden Virgin” commissioned by the Bishop of Clermont in 946, a cult image that was destroyed during the Revolution when it was melted down for coinage. On stylistic and material grounds, the Orcival Virgin is now dated to c. 1170, making it a later but faithful reinterpretation of the earlier episcopal image.

 

Blue Virgin

 

 

Set into a 13th century window, in the south ambulatory of the choir (bay 44) of Chartres Cathedral, this is one of the most celebrated medieval artworks in the Cathédrale Notre-Dame de Chartres.It dates primarily to c. 1180 CE, with later additions around 1225 CE, making it a rare survivor from the pre-1194 fire that destroyed the earlier Romanesque cathedral.

 

 

Notre-Dame de Chartres

Designated a World heritage Site by UNESCO in 1979 the Cathedral of Notre-Dame de Chartres was built from between 1145 and 1250. It's high nave is spanned by ogival pointed arches to form the vault, and the walls are supported by double flying buttresses. Chartres is the first building to have used buttresses as a structural element.

 

Chartres Cathedral is also unique in having retained almost all of its original 12th and 13th century stained glass.

13th century church monuments

In the 13th century (c. 1200–1300), church monuments were effigial tombs, cross slabs, and early brasses, emerging as Gothic art replaced Romanesque. They focused on piety, feudal status, and intercession, with stiff, symbolic figures.

Portal Of St. Anne

The portal of St Anne on the right of the western façade was built in 1200 and is the earliest of the three portals to be built. The tympanum is actually dated to about 1150 and was once part of the earlier cathedral of St. Stephen whose western façade was once 40 metres to the west of the present Cathedral.

 

 

Richard Coeur-de-Lion - Rouen Cathedral, France

Tomb of Richard I of England (d1199). This is one of three tombs to Richard I, this one is said to contain his heart, his entrails were buried in Châlus (where he died), and the rest of his body was buried at the feet of his father, Henry II, at Fontevraud Abbey in Anjou.

 

Eleanor of Aquitaine Tomb - Fontevraud Abbey, France

 

 

Tomb of Eleanor of Aquitaine (d1204) at Fontevraud Abbey in France. Eleanor was first married to Louis VII of France, and had two daughters by him. However, they divorced in March, and in May of the same year, she married Henry of Anjou the future Henry II of England

Life of the Virgin

 

 

Sequence of 13th century wall painting from the in the nave of St. Albans Cathedral show scenes from the life of the Virgin Mary.

 

 

 

C13 Coffin Lid with Foliated Cross - Gayton Northamptonshire

 

This finely carved coffin lid features a long-stemmed cross whose arms terminate in deeply incised, curling foliage, a design symbolising both the Cross of Christ and the Tree of Life. The leafy ornament, known as a foliated cross, became popular in the 13th century and is often associated with clerical burials or those of prominent parishioners.

Last Judgement and Doom

A common subject painted in medieval churches where scenes of the "Last Judgment" or "Doom". Often they would be painted above the chancel arch. A central figure of risen Christ with the instruments of the passion would be painted, or a crucifixion with the Virgin Mary and St John the Evangelist.