This window (c1550) presents a sequence from the Life and Martyrdom of St Agnes, the young Roman virgin celebrated for her steadfast refusal to accept a pagan suitor and her unwavering confession of faith. Produced by a Rouen workshop in the early sixteenth century, the window follows the typical Saint-Ouen format: narrative scenes set beneath tall Gothic canopies, framed by alternating architectural and landscape elements.
This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.
Dated 1554 this window depicts scenes from the Life of St Eustace.
1540 stained glass in St Godard Rouen tell the story of Saint Romain (Romanus).
The Lady Chapel at Bourges Cathedral has three stained glass windows from the late 16th century that tell the stories surrounding the Life of the Virgin Mary.
Created in 1619 this late Death and Assumption of the Virgin stained glass window is in Bourges Cathedral France.
This "Doom" painting in St Mary's Warwick, is copy (1678), by Richard Bird, of Michelangelo's Last Judgment in the Sistine Chapel. The left hand side of the work has been restored but the right hand side left unrestored at present.
Allegorical figure of Science on the tomb of the physicist Ottaviano Fabrizio Mossott (d1863) in the Camposanto Monumentale, Pisa, by the sculptor Giovanni Duprè.