This monument of an alabaster knight wearing Milanese armour is dedicated to Robert Lord Hungerford (d1464).
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This window was donated to the Cathedral by King Louis XI of France in 1467-1469. It's eight panels depicts events from the Resurrection to the Last Judgement of Christ.
This four light window (1467-1469) in the north wall of the Lady Chapel at Evreux Cathedral, depicting scenes from Life of Christ, was a gift to the cathedral by King Louis XI of France.
This stained glass window (1467-1469) in the south wall of the Lady Chapel at Evreux Cathedral, depicts the Death of the Virgin Mary in the upper registers.
This stained glass window in the Lady Chapel of Evreux Cathedral was a given to the cathedral by King Louis XI of France between 1467 and 1469.
This window depicts the Adoration of the Magi, one of the most accomplished surviving examples of mid-15th-century glass painting in Bourges Cathedral. The composition unfolds across four lights beneath a framework of delicate Gothic canopies enriched with gilded tracery and pinnacles.
This four-light window depicts the Annunciation to the Virgin Mary, a masterwork of mid-15th-century French stained glass and one of the earliest panels in the south ambulatory cycle at Bourges Cathedral. At the centre, the Archangel Gabriel, richly vested in a scarlet cope patterned with gold shells and miniature saintly figures, kneels before the Virgin Mary, who stands at the right holding a book of hours and clothed in green and white robes edged with gold
This window forms part of the Christological and donor cycle completed around 1467, stylistically linked to the Annunciation and Adoration of the Magi panels. The work is attributed to the Bourges Cathedral workshop, likely under Jean Lécuyer or André Robin, maîtres verriers active 1460–1475.
Brass monument to John Tawyer (d1470) and his wife.
This window (c1470), in the Church of Saint-Maclou, preserves fragments of a mid-15th-century Marian cycle, originally illustrating two principal episodes from the end of the Virgin’s earthly life: the Dormition (Death of the Virgin) in the lower register and the Coronation of the Virgin in heaven in the upper register. Although large sections of the original glazing have been lost, the surviving elements remain representative of the high-quality figure painting produced in Rouen around 1470.