Window 202 contains a paired representation of the two foundational apostles, Peter and Paul. The window forms part of the southern run of apostolic lancets in the choir clerestory ⓘ, executed by the same workshop responsible for the coherent sequence between w.202 and w.212.
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory ⓘ glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory ⓘ at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
Window w.210 forms part of the southern clerestory ⓘ apostolic cycle of Bourges Cathedral. Created in the first decades of the 13th century, this scheme is contemporary with the cathedral’s great choir and represents one of the finest ensembles of High Gothic stained glass in France.
Window w.212, located high in the south choir clerestory ⓘ of Bourges Cathedral, dates from c.1210–1215 and belongs to the earliest glazing phase of the High Gothic choir. The window presents two Evangelists, Mark and Luke, and one Apostle, Matthias.
This trio forms part of a wider apostolic–evangelist cycle distributed around the clerestory, each figure shown as a monumental standing saint set within a richly patterned Gothic frame.
The parish church of the Blessed Virgin Mary ⓘ and Saint Leodegarius at Ashby St Ledgers in Northamptonshire has a C14 - C15 Passion sequence painted above the chancel arch and on the side walls. The sequence was uncovered during restoration work in 1927 and is the most extensive cycle in the UK. The paintings are of a similar date to those at Burton Dassett about 20 miles away.
The church of All Saints as Burton Dassett in Warwickshire dates from the early C12 through to C13. The walls were plastered with 'daub', lime, chopped straw and animal hair and over which various wall painting have been executed. At various times over the centuries the paintings have been whitewashed over and replaced with new works. These include from the C13 depiction of the 'Doom' to highly ornamented texts..
The western facade of the cathedral of Notre-Dame in Amiens contains 3 doorways. A central portal that opens into the nave, and two portals beneath the north and south towers that open into the cathedral's aisles. Above each portal is a tympanum ⓘ the central one depicting the last Judgement, the northern one the transfer of the relics of St Firmin, and the south portal depicts the Virgin Mary ⓘ.
The western façade of the cathedral of Notre-Dame in Paris, with its twin towers, was built between 1200 and 1240. With its three portals containing scenes from the life of the Virgin Mary ⓘ, the Last Judgment, and scenes from the life of St. Anne, it is considered one of the finest examples of early Gothic architecture.
Large brass monument to William Bagot (d1407) and his wife Margaret.
