Medieval

Composite Window

This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.

4 Aug 2009

The parish church of the Blessed Virgin Mary and Saint Leodegarius at Ashby St Ledgers in Northamptonshire has a C14 - C15 Passion sequence painted above the chancel arch and on the side walls. The sequence was uncovered during restoration work in 1927 and is the most extensive cycle in the UK. The paintings are of a similar date to those at Burton Dassett about 20 miles away.

17 Jun 2009

The church of All Saints as Burton Dassett in Warwickshire dates from the early C12 through to C13. The walls were plastered with 'daub', lime, chopped straw and animal hair and over which various wall painting have been executed. At various times over the centuries the paintings have been whitewashed over and replaced with new works. These include from the C13 depiction of the 'Doom' to  highly ornamented texts..

 

 

 

The western facade of the cathedral of Notre-Dame in Amiens contains 3 doorways. A central portal that opens into the nave, and two portals beneath the north and south towers that open into the cathedral's aisles. Above each portal is a tympanum the central one depicting the last Judgement, the northern one the transfer of the relics of St Firmin, and the south portal depicts the Virgin Mary.

 

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