Triumph of Death - Camposanto Pisa
Painted by Buonamico Buffalmacco between 1336 - 1341 this fresco in the Camposanto, Pisa, depicts the Triumph of Death.
Medieval
Two Mitred Abbots - Stanford on Avon, Northamptonshire
These two mitred abbots are from about 1327-1330, and can seen in the tracery of the east window of St Nicholas, Stanford-on-Avon, Northamptonshire.
Tympanum - Saint-Maclou Rouen
The tympanum above the central porch, of Saint-Maclou in Rouen depicts Christ in Majesty at the Last Judgement in four registers.
Tympanum of the Last Judgement - Bourges Cathedral
Gothic tympanum of the Last Judgement dating from about 1230 at Bourges Cathedral, France.
Unidentified 15th century knight and lady - Lutterworth, Leicestershire
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
Unidentified Saint Composite Window - Abbey Church of Saint-Ouen, Rouen
This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.
w.202 St Peter & St Paul - Bourges Cathedral
Window 202 contains a paired representation of the two foundational apostles, Peter and Paul. The window forms part of the southern run of apostolic lancets in the choir clerestory, executed by the same workshop responsible for the coherent sequence between w.202 and w.212.
w.204 St Andrew and St John - Bourges Cathedral
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
w.206 St James the Greater, St Philip, and St Thomas - Bourges Cathedral
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
w.210 James the Less, Barnabas, and Thaddeus - Bourges Cathedral
Window w.210 forms part of the southern clerestory apostolic cycle of Bourges Cathedral. Created in the first decades of the 13th century, this scheme is contemporary with the cathedral’s great choir and represents one of the finest ensembles of High Gothic stained glass in France.
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