This rose window in the south transept of Evreux Cathedral was given to the Cathedral by Louis XI of France between 1470 and 1480. It is 6.5 metres in diameter and represents the Coronation of the Virgin in Heaven. Below the rose window the lancet windows in the Gallery contain representations of eight of the Apostles.
Medieval panels dated between 1330-1350 of three saints.
This early fifteenth century wall painting of Christ at the Last Judgement sitting on a rainbow between praying figures of the Virgin Mary ⓘ and St John the Evangelist ⓘ, can be found in the Collegiate Church ⓘ of St Aignan.
St Anne teaching Virgin to read, St. Agnes ⓘ, and other female saints. Early C14 (1330-1350).
St Anne Chapel in Great Malvern Priory is in the south choir aisle, there is no indication however that it was known to be dedicated to St Anne before the nineteenth century. This chapel has three windows with mid fifteenth century class depicting Old Testament stories.
This two-light stained glass window, dating to around 1410, combines two devotional subjects of late medieval popularity: Saint Christopher in the left-hand light and Saint Anne with the Virgin Mary ⓘ in the right-hand light. The pairing reflects contemporary concerns with protection, instruction, and the visible presence of holiness in everyday life.
This window contains two significant pre-Reformation figural panels depicting St Peter ⓘ (left) and St Simeon with the Christ Child (right). Both figures survive from a larger late medieval glazing scheme and were reassembled during the 19th-century restoration of the cathedral, when much of the surrounding decorative work was replaced.
Three female saints 1330-1350. Two are unidentified the middle figure is that of St. Agnes ⓘ.
Polychrome reliefs retelling the legend of St Firmin a disciple of St Saturninus of Toulouse, founded the first church in Amiens in the third century.
Early C14 (c1330-50) figures of St. Margaret and bishop.
