This window (c1550) illustrates episodes from the martyrdom of St Vincent of Saragossa, one of the most widely venerated deacons of the early Church. Created by a Rouen atelier in the early sixteenth century, the glass adopts the familiar layout of the Saint-Ouen narrative series: scenes arranged beneath richly architectural Gothic canopies, each panel presenting a distinct moment from the saint’s Passion.
The south aisle of the nave at Saint-Ouen preserves one of the most varied yet coherent hagiographic ensembles in the church’s glazing programme. Although the windows today comprise mixtures of sixteenth-century fragments, nineteenth-century architectural refitting, and extensive twentieth-century restoration, they collectively articulate a single, sustained theme: the commemoration of exemplary saints whose lives, virtues, and martyrdoms offered models for Christian devotion.
The story of how three kings out hunting meet their dead ancestors.
Tomb of Thomas de Beauchamp (d1369) and his wife Katherine Mortimer.
Tomb of Thomas de Savoie (d1337) with eight carved reliefs of weepers or mourners.
This fresco by Fra Angelico in cell 1 of the San Marco Monastery illustrates the encounter between Mary Magdalen and Christ after the ressurection.
The stained glass windows in this section are all from the chancel and choir clerestory of Saint Gatien's Cathedral in Tours. They all date from the between 1250 and 1300 and are contemporary with the rebuilding of the chancel between 1236-1279. The windows in the apse are the earlier and date between 1250-1260, whilst those in the clerestory were installed in the last part of the 13th century.
This fresco by Fra Angelico depicts the Transfiguration of Christ, one of the most radiant and spiritually charged scenes in the Gospel narrative. At the center, Christ stands upon a rocky elevation, enveloped in a great mandorla of divine light, his white garments gleaming with celestial brilliance.
This stained glass window in the Lady Chapel of Evreux Cathedral was a given to the cathedral by King Louis XI of France between 1467 and 1469.
This late 13th century window, above the choir at Tours cathedral. The 18 panels in the main part of the window depict the Tree of Jesse running up the center of the window, and the childhood of Christ on either side. The panels in the tracery contain representations of Abraham and Isaac, and an Angel with a Lamb stopping the sacrifice of Isaac.
