North east chancel window - Stanford-on-Avon, Northamptonshire
Medieval panels dated between 1330-1350 depicting three saints, including St Paul ⓘ, and St Peter ⓘ.
England
North west chancel window - Stanford-on-Avon, Northamptonshire
Medieval panels dated between 1330-1350 depicting three saints, including St Barnabas ⓘ, and St Philip ⓘ.
Oak Cross-Legged Knight Effigy - Cold Higham, Northamptonshire
This is one of fewer than 100 surviving wooden knight figures in England, and transcends mere memorial: it immortalizes Sir John's legacy as a minor but dutiful baron, who was possibly involved in Edward III's French campaigns
Painted Clock - Raunds
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
Parable of the Workers in the Vineyard, South Kilworth Leicestershire
This two-light window depicting Christ’s Parable of the Workers in the Vineyard (Matthew 20:1–16) is by Burlison & Grylls ⓘ (c1897), and is located in St. Nicholas. South Kilworth, Leicestershire.
Passion Cycle - Kings Sutton, Northamptonshire
This east window, dated 1866 and designed by William Wailes, is devoted to the Crucifixion and the principal episodes of Christ’s Passion. It exemplifies the mature Victorian narrative window, combining theological clarity with strong colour and carefully ordered figural sequences.
Peter de Grandisson Tomb - Hereford Cathedral
Polychome tomb with effigy of baron Peter de Grandison (d1358) and the Coronation of the Virgin above the effigy.
Peyto Tomb - Chesterton, Warwickshire
Late C16 alabaster tomb, of Humfrey Peyto died 30 March 1585, and Anne his wife.
Pharisee and the Publican - Tewkesbury Abbey
This Hardman &Co. window of 1887 illustrates the story of the Pharisee giving alms to the poor, and the Publican displaying humility.
Presentation - Byfield, Northamptonshire.
This two-light window, executed by Kempe & Tower in 1921, depicts the Presentation of Christ in the Temple, a subject long favoured by the firm for its devotional clarity and balanced figural grouping.
Left-hand light:
The Virgin Mary ⓘ is shown kneeling in prayerful humility, her posture inward and composed. Behind her, attendant figures are arranged beneath an architectural canopy, reinforcing the Temple setting and providing depth without distracting from the principal action.
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