PeriodIndex

Salvator Mundi - Gloucester Cathedral

 

 

This window by Hardman & Co., illustrates a Salvator Mundi in the typanum, whilst below are three panels depicting St Agnes, The Virgin Mary, and St Dorothy.

 

 

 

Good Samaritan - Lutterworth, Leicestershire

 

 

This stained-glass window is the Good Samaritan Window at St Mary’s Church, Lutterworth, Leicestershire, designed and made by the firm of Burlison & Grylls, one of the foremost English stained glass studios of the late 19th century.

Lichfield Cathedral - South Transept Window

South Transept Lichfield

The vast south transept window at Lichfield Cathedral is one of the most imposing works of High Victorian stained glass in the building. Installed between 1869 and 1873 as part of the 19th-century restoration campaign, it was designed and executed by the prolific Gothic Revival studio Clayton & Bell. Comprising nine tall lancets crowned by rich tiers of tracery lights, the window forms a complex yet coherent theological cycle centred on the Majesty of Christ and the ranks of heavenly and ecclesiastical witnesses.

South chancel window - Middleton Cheney

 

 

The south window of the chancel at All Saints, Middleton Cheney, contains two important stained-glass panels designed by Ford Madox Brown in 1870, created during his period of work for Morris, Marshall, Faulkner & Co. These windows are among the finest surviving examples of Brown’s contribution to Victorian ecclesiastical glass, characterised by his expressive figures, sculptural modelling, and dense narrative detail.

 

 

Two Windows: Suffer the Little Children

Hardman Suffer Children ...

 

 

These two four-light windows form a matched narrative pair illustrating Christ’s teaching, “Suffer the little children to come unto me.” Both windows are characteristic products of the John Hardman studio in the later Victorian period.

Memorial Window to Arthur William Grant - Maidford Northamptonshire

Christ Calming the Sea

Situated in the east window of the south aisle, of the church of St Peter and St Paul, Maidford, Northamptonshire, this stained-glass memorial commemorates Arthur William Grant, who died on 19 December 1878, aged fifty-five. The window was installed circa 1880, by John Hardman & Co. of Birmingham, whose workshop was among the foremost exponents of the Gothic Revival style.

St. Elizabeth and St. Anne - Middleton Cheney

St Elizabeth, Virgin Mary, St Anne

 

 

The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.

Annunciation - Middleton Cheney

 

Set in the tracery above the three-light window depicting St Anne, the Virgin Mary, and St Elizabeth—designed respectively by Ford Madox Brown (Anne and Elizabeth) and Edward Burne-Jones (central Mary)—this Annunciation scene was designed by William Morris in 1880.

 

 

 

 

King Solomon in the Temple

 

 

Stained glass window (1880) by John Hardman in the north aisle of Worcester Cathedral depicts King Solomon praying in front of the Arc of the Covenant. Musicians playing harps and trumpets are on either side of him.

 

 

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