PeriodIndex
Lichfield Cathedral - South Transept Window
The vast south transept window at Lichfield Cathedral is one of the most imposing works of High Victorian stained glass in the building. Installed between 1869 and 1873 as part of the 19th-century restoration campaign, it was designed and executed by the prolific Gothic Revival studio Clayton & Bell. Comprising nine tall lancets crowned by rich tiers of tracery lights, the window forms a complex yet coherent theological cycle centred on the Majesty of Christ and the ranks of heavenly and ecclesiastical witnesses.
Three young men in the fiery furnace - Middleton Cheney
"Three young men in the fiery furnace" Edward Burne-Jones (1870).
East Window - Misterton Leicestershire
This 5 light east window at St. Leonard, Misterton in Leicestershire is dated 1870.
South chancel window - Middleton Cheney
The south window of the chancel at All Saints, Middleton Cheney, contains two important stained-glass panels designed by Ford Madox Brown in 1870, created during his period of work for Morris, Marshall, Faulkner & Co. These windows are among the finest surviving examples of Brown’s contribution to Victorian ecclesiastical glass, characterised by his expressive figures, sculptural modelling, and dense narrative detail.
Memorial Window to Arthur William Grant - Maidford Northamptonshire
Situated in the east window of the south aisle, of the church of St Peter and St Paul, Maidford, Northamptonshire, this stained-glass memorial commemorates Arthur William Grant, who died on 19 December 1878, aged fifty-five. The window was installed circa 1880, by John Hardman & Co. of Birmingham, whose workshop was among the foremost exponents of the Gothic Revival style.
East Window - Guilsborough, Northamptonshire
This east window at Guilsborough Northamptonshire, was designed by Edward Burne-Jones in 1879.
St. Elizabeth and St. Anne - Middleton Cheney

The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.
Grisaille design - Châteauvieux
Grisaille design by Noël Lavergne Church of Saint Hilaire Châteauvieux.














