North west chancel window - Stanford-on-Avon, Northamptonshire
Medieval panels dated between 1330-1350 depicting three saints, including St Barnabas, and St Philip.
PeriodIndex
St. Margaret and Bishop C14 - Stanford-on-Avon, Northamptonshire
Early C14 (c1330-50) figures of St. Margaret and bishop.
St. Agnes and two other Female Saints C14 - Stanford-on-Avon, Northamptonshire
Three female saints 1330-1350. Two are unidentified the middle figure is that of St. Agnes.
Christ in Majesty - Stanford of Avon, Northamptonshire
[no-glossary]Christ in Majesty[/no-glossary] and the Virgin Enthroned (c1340) Stanford on Avon, Northamptonshire.
Edward II King of England Tomb - Gloucester Cathedral
Tomb of King Edward II of England (d1327) in Gloucester Cathedral. It was commissioned by Edward III in 1336 and built in the early part of the 1340s.
St. Thomas
Part of a lost sequence known as the 'History of the Resurrection' this image of doubting Thomas is probably mid 14th century. It was discovered in 1846, in the north transept of Saint Albans Cathedral beneath whitewash.
Doom - Lutterworth, Leicestershire
This 14th century "Last Judgement" painting is above the chancel arch of the church where John Wycliffe was the vicar in Lutterworth Leicestershire.
Hugh le Despenser, 2nd Baron le Despenser - Tewkesbury Abbey
This tomb of Hugh and Elizabeth, in the chancel of Tewkesbury Abbey, is of alabaster and the effigies are portraits of them both. The canopy once contained 26 statutes and was considered one of the finest in England.
Gloucester Cathedral - East Window
The east window at Gloucester Cathedral was created as part of the rebuilding of the abbey church of St Peter. Built in the Perpendicular style it was the largest window in Europe. The decorative scheme portrays the Coronation of the Virgin and the glass mostly dates from the 1350s.
Effigy of Priest - Aston-le-Walls, Northamptonshire
C14 effigy of priest in tomb recess.
Wall paintings at Ashby St. Ledgers
The parish church of the Blessed Virgin Mary and Saint Leodegarius at Ashby St Ledgers in Northamptonshire has a C14 - C15 Passion sequence painted above the chancel arch and on the side walls. The sequence was uncovered during restoration work in 1927 and is the most extensive cycle in the UK. The paintings are of a similar date to those at Burton Dassett about 20 miles away.
Effigy of priest - Old Arley, Warwickshire
Mid C14 recumbent effigy of a priest in tomb recess.
Oak Cross-Legged Knight Effigy - Cold Higham, Northamptonshire
This is one of fewer than 100 surviving wooden knight figures in England, and transcends mere memorial: it immortalizes Sir John's legacy as a minor but dutiful baron, who was possibly involved in Edward III's French campaigns
Scholastica de Gayton - Gayton Northamptonshire
Scholastica de Gayton, who died in 1354, was a member of the medieval de Gayton family, long associated with the village of Gayton in Northamptonshire. She was the daughter of Sir Philip de Gayton, who died in 1316 and whose own effigy also survives in the church of St Mary the Virgin at Gayton.
Peter de Grandisson Tomb - Hereford Cathedral
Polychome tomb with effigy of baron Peter de Grandison (d1358) and the Coronation of the Virgin above the effigy.
Thomas de Beauchamp Tomb - Warwick, Warwickshire
Tomb of Thomas de Beauchamp (d1369) and his wife Katherine Mortimer.
Richard Pembridge - Hereford Cathedral
Sir Richard Pembridge (d1375) was one of the earliest Knights of the Garter, being elected following the death of Thomas Ufford in 1368. He was present at all of Edward III's major victories during the Hundred Years War: Sluys (1340), Creçy (1346), the Siege of Calais (1347), and Poiters (1356) where he fought alongside the Black Prince.
Ornament to Humanism: The Annunciation in Fourteenth and Fifteenth Century Florence
Frescos depicting the annunciation.
Dancing Angels: Donatello’s Renaissance Spiritelli
Donatello’s spiritelli—small bronze, dancing child figures—embody the Renaissance fusion of classical vitality and Christian joy. Created for settings from pulpits to private collections, these lively winged children transformed ancient putti into symbols of divine life and humanist celebration. Through their movement, naturalism, and charm, Donatello redefined sculpture as a living expression of sacred and worldly beauty.
John Beauchamp of Holt and Wife - Worcester Cathedral
Tomb of John Beauchamp of Holt and his wife Joan. He was tried and convicted of treason by the Merciless Parliament in 1388, then hanged and beheaded at Tower Hill.