Renaissance

The South Aisle Nave Windows — Abbey Church of Saint-Ouen, Rouen

The south aisle of the nave at Saint-Ouen preserves one of the most varied yet coherent hagiographic ensembles in the church’s glazing programme. Although the windows today comprise mixtures of sixteenth-century fragments, nineteenth-century architectural refitting, and extensive twentieth-century restoration, they collectively articulate a single, sustained theme: the commemoration of exemplary saints whose lives, virtues, and martyrdoms offered models for Christian devotion.

Tomb of Ottaviano Fabrizio Mossotti - Camposanto Monumentale, Pisa

Allegorical figure of Science on the tomb of the physicist Ottaviano Fabrizio Mossott (d1863) in the Camposanto Monumentale, Pisa, by the sculptor Giovanni Duprè.

Touch Me Not (cell 1)

This fresco by Fra Angelico ⓘ in cell 1 of the San Marco Monastery illustrates the encounter between Mary Magdalen ⓘ and Christ after the ressurection.

Transfiguration (cell 6)

This fresco by Fra Angelico ⓘ depicts the Transfiguration of Christ, one of the most radiant and spiritually charged scenes in the Gospel narrative. At the center, Christ stands upon a rocky elevation, enveloped in a great mandorla of divine light, his white garments gleaming with celestial brilliance.

Tree of Jesse - Lady Chapel Evreux

This stained glass window in the Lady Chapel of Evreux Cathedral was a given to the cathedral by King Louis XI of France between 1467 and 1469.

Tree of Jesse - St Godard, Rouen

This Tree of Jesse in the church of St Godard Rouen, is the work of Arnoult de Nimégue (1506).

Unidentified Saint Composite Window - Abbey Church of Saint-Ouen, Rouen

Composite Window

This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.

Warwick - Last Judgment after Michelangelo

This "Doom" painting in St Mary's Warwick, is copy (1678), by Richard Bird, of Michelangelo's Last Judgment in the Sistine Chapel. The left hand side of the work has been restored but the right hand side left unrestored at present.