The Lady Chapel at Bourges Cathedral has three stained glass windows from the late 16th century that tell the stories surrounding the Life of the Virgin Mary ⓘ.

A common subject painted in medieval churches where scenes of the "Last Judgment" or "Doom". Often they would be painted above the chancel arch. A central figure of risen Christ with the instruments of the passion would be painted, or a crucifixion with the Virgin Mary ⓘ and St John the Evangelist ⓘ.

The stained-glass window illustrating the Legend of St Eustace ⓘ (baie n° 18) in Saint-Étienne ⓘ de Beauvais is a composite Renaissance work, produced in successive campaigns between 1553 and c. 1575. Its extended execution reflects a cumulative process of patronage, bringing together multiple donors, artists, and workshops within a single coherent narrative cycle.

Between 1431 and 1438, the Florentine sculptor Luca della Robbia ⓘ carved in marble one of the most radiant celebrations of music and childhood in the early Renaissance, the Cantoria, or singing gallery, originally made for the north singing gallery of Florence Cathedral.