This east window presents a compact yet richly articulated Crucifixion composition, arranged across three principal lights beneath a tier of tracery lights. it is typical of late-Victorian Gothic Revival glass, and demonstrates Burlison & Grylls ⓘ’ characteristic clarity of drawing, strong colour harmonies, and careful architectural setting.
Defaced C14 effigy of priest on a chest tomb with quatrefoils.
This single-light window depicts the Deposition from the Cross, presenting the moment at which Christ’s body is lowered after the Crucifixion. The scene is composed with a strong sense of physical weight and controlled movement, emphasising both the labour of removal and the solemnity of the act.
The roundels are late C15 to early C16. The figures of the donor family are mid C16 and probably come from Stanford Hall.
Simple chest tomb monument to Dorothy St John (d1630).
The east window of the parish church of St Margaret, Crick, is a large multi-light stained-glass composition dated 1857, by Lavers & Barraud1, and predates the appointment of Nathaniel Westlake as principal designer at the firm. Occupying the principal liturgical position, the window presents a carefully structured theological programme combining figures of prophecy, witness, and redemption.
This east window at Guilsborough Northamptonshire, was designed by Edward Burne-Jones ⓘ in 1879.
A richly coloured Crucifixion window of 1868–1869 by Heaton, Butler and Bayne, presenting the central mystery of the Passion within a balanced devotional scheme.
Left-hand light:
The Virgin Mary ⓘ stands with Mary Cleophas, their restrained grief expressed through gesture and posture, forming a quiet counterpoint to the drama of the central scene.
East window by Burlison & Grylls ⓘ. Holy Cross, Byfield.
Effigy of a cross legged knight ⓘ (c1305) thought to be that of Sir Robert Keynes.
