Stained Glass

Henry Tudor and Elizabeth of York - Stanford on Avon

 

This remarkable window (1490-1505), rediscovered packed away in 1932, forms the lower section of the great east window at Stanford-on-Avon. It is one of the most striking survivals of late medieval royal propaganda in stained glass, created to celebrate the accession and legitimacy of Henry VII and the founding of the Tudor dynasty.

 

Henry VIII and Catherine of Aragon - Coughton, Warwickshire

Set within the tracery lights of the great east window at St Peter’s, Coughton, these panels form part of a distinguished group of Tudor heraldic glass. At the centre are the royal arms of Henry VIII, impaled with those of Catherine of Aragon, enclosed by the initials H and K and surrounded by the Tudor emblems of the rose, portcullis, and crown. The inclusion of Catherine’s arms confirms that the glass was installed before the annulment of their marriage in 1533, most likely during the first decade of Henry’s reign.

 

 

Higham Ferrers - St. Mary c1914

 

 

Two Kempe and Tower windows from 1914. The first shows St Luke, Virgin and Child, and St John the Evangelist. The upper lights of the second window shows the Epiphany whilst the bottom light depict the Presentation in the Temple.

 

Hugh Despenser the Younger

 

 

Stained glass panel (1338-1340) depicting Hugh Despenser the Younger who was married to Eleanor the sister of Gilbert de Clare. Hugh Despenser became the favourite of Edward II but was especially disliked by Queen Isabella, and executed when Edward II was deposed in 1326.

 

 

Isaac, Joseph, and Moses

 

The western most window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Isaac, Joseph, and Moses. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.

 

 

 

Joan of Arc - Orleans Cathedral

Joan of Arc - Orleans Cathedral

This stained glass window, crafted by the French artist Pierre Carron in 2000, graces the south-facing lancet of the Cathédrale Sainte-Croix d'Orléans, a Gothic edifice spanning the 13th to 19th centuries. This modern addition, bathed in the interplay of light, celebrates the heroic figure of Joan of Arc, the city’s revered patron saint

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