A three light Hardman window depicting the three Mary's at the tomb. The central panel shows the angel, whilst the left are Mary, the mother of James, and Mary of Clopas. The right hand panel depicts Mary of Magdalene carrying a vessel of oil.
This window by Hardman & Co. illustrates the first of Christ's Miracles.
Burlison & Grylls window depicting Mary and Martha Clifton on Dunsmore.
Depicting the events in the life of Mary of Magdalene this window, in Chartres Cathedral, is from about 1210. According to Christian tradition she was one of Jesus' follows in Galilee, healed of seven devils, was present at the crucifixion, was the person to find the tomb empty, and the first person whom Jesus appeared to and given the task of announcing his Resurrection.
Hardman representation of Jesus appearing to Mary of Magdalene at the tomb (John 20:17).
These two stained-glass panels from the choir clerestory of St Ouen form a paired narrative of the Massacre of the Innocents, rendered in the incisive and highly expressive manner characteristic of the early 14th-century Norman workshops. Though each panel stands within its own Gothic architectural frame, complete with gabled canopies, foliate bosses, and alternating bands of strong primary colour, the scenes are conceived as a continuous episode of violent disruption, unfolding across two moments of the same biblical tragedy.
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
St Nicholas parish church in Stanford on Avon, Northamptonshire, contains a large amount of stained glass dating from c1330 - 1540. The early glass contains images of Saints and Bishops, whilst the later glass contains Netherlandish roundels, and images of the Cave family that were the donors.
Situated in the east window of the south aisle, of the church of St Peter and St Paul, Maidford, Northamptonshire, this stained-glass memorial commemorates Arthur William Grant, who died on 19 December 1878, aged fifty-five. The window was installed circa 1880, by John Hardman & Co. of Birmingham, whose workshop was among the foremost exponents of the Gothic Revival style.
