This late 13th century window, above the choir at Tours cathedral. The 18 panels in the main part of the window depict the Tree of Jesse running up the center of the window, and the childhood of Christ on either side. The panels in the tracery contain representations of Abraham and Isaac, and an Angel with a Lamb stopping the sacrifice of Isaac.
Painted by Buonamico Buffalmacco between 1336 - 1341 this fresco in the Camposanto, Pisa, depicts the Triumph of Death.
These two mitred abbots are from about 1327-1330, and can seen in the tracery of the east window of St Nicholas, Stanford-on-Avon, Northamptonshire.
The tympanum ⓘ above the central porch, of Saint-Maclou in Rouen depicts Christ in Majesty at the Last Judgement in four registers.
Gothic tympanum ⓘ of the Last Judgement dating from about 1230 at Bourges Cathedral, France.
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
This window (c1550) is a composite assemblage combining fragments of sixteenth-century narrative glass with nineteenth-century architectural framing and extensive twentieth-century restoration. The programme appears to have depicted episodes from the life of an unidentified saint. According to Jean Lafond, one of the surviving scenes may represent the translation of relics, suggesting a cycle related either to Saint Ouen or Saint Leufroy. The identification, however, remains uncertain due to the fragmentary nature of the surviving iconography.
Window 202 contains a paired representation of the two foundational apostles, Peter and Paul. The window forms part of the southern run of apostolic lancets in the choir clerestory ⓘ, executed by the same workshop responsible for the coherent sequence between w.202 and w.212.
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory ⓘ glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory ⓘ at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
