This window depicting the Life of St Martin is one of the choir clerestory windows at Tours Cathedral. The main window consists of some eighteen panels in six registers and is dated to the completion of the just after the rebuilding of the chancel in last part of the 13th century.
The abbey church of Saint-Taurin in Evreux contains three mid 15th century stained glass windows in the apse that tell the story of Saint Taurin, the first bishop of Evreux.
This mid 15th century window in the church of Saint-Taurin, Evreux, contains six scenes telling part of the legend of his life. This first panel tells the part of the legend where he resurrected a girl that had been burnt to death by a devil, on being brought back to life she was apparently unmarked.
15th century stained glass depicting events in the life of St Taurin and the discovery of his relics by St Landulfe.
This tall lancet window (c. 1300) os one of two windows that presents a compact cycle of the Life of St Martin, arranged in five horizontal registers, each split into two quatrefoil medallions. The sequence highlights Martin’s charity, his spiritual trials, his episcopal authority, and his miraculous power as missionary and bishop. The glass is characteristic of the early 14th century at Tours, with intense blues and reds, crisp linear painting, and lively narrative detail.
This monument to Louis de Brézé (d1531) is the work of Jean Goujon (1510-1572) who was commissioned by Diane de Poitiers, Louis wife. Louis was the son of King Charles VII of France's illegitimate daughter Charlotte de France.
The Marmousets Portal Tympanum is a late Gothic sculpture adorning the Porche des Marmousets (Portal of the Marmousets) is the main pedestrian entrance to the Abbey Church of Saint-Ouen in Rouen, Normandy, France. This Flamboyant Gothic portal, primarily honors the Virgin Mary ⓘ, dates to around 1430 and was crafted by the master sculptor Alexandre de Berneval, and is located at the south transept.
This second sequence of sculpture on the choir screen, starting at the western end of the south ambulatory, is the work of Jehan Soulas from 1520-1535. Sculpted from the hard limestone from the Tonnerre quarry they consist of scenes from the Gospel of James, depicting the marriage of the Virgin Mary ⓘ to Joseph, the annunciation, and the visitation.
The south porch of Chartres Cathedral contains a series of sculptures, that were made between 1194 and 1230, on the subject of the martyrdom of saints.
Depicting the events in the life of Mary of Magdalene ⓘ this window, in Chartres Cathedral, is from about 1210. According to Christian tradition she was one of Jesus' follows in Galilee, healed of seven devils, was present at the crucifixion, was the person to find the tomb empty, and the first person whom Jesus appeared to and given the task of announcing his Resurrection.
