Index of Victorian all
This stained-glass window is the Good Samaritan Window at St Mary’s Church, Lutterworth, Leicestershire, designed and made by the firm of Burlison & Grylls, one of the foremost English stained glass studios of the late 19th century.
The south window of the chancel at All Saints, Middleton Cheney, contains two important stained-glass panels designed by Ford Madox Brown in 1870, created during his period of work for Morris, Marshall, Faulkner & Co. These windows are among the finest surviving examples of Brown’s contribution to Victorian ecclesiastical glass, characterised by his expressive figures, sculptural modelling, and dense narrative detail.
Situated in the south aisle this stained glass window (1877) by John Hardman depicts the Annunciation to the Shepherds.
Clayton & Bell, Crucifixion Window – East Window, South Aisle, St Leonard’s Church, Misterton (Leicestershire), c. 1878.
Situated in the east window of the south aisle, of the church of St Peter and St Paul, Maidford, Northamptonshire, this stained-glass memorial commemorates Arthur William Grant, who died on 19 December 1878, aged fifty-five. The window was installed circa 1880, by John Hardman & Co. of Birmingham, whose workshop was among the foremost exponents of the Gothic Revival style.

The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.
Set in the tracery above the three-light window depicting St Anne, the Virgin Mary, and St Elizabeth—designed respectively by Ford Madox Brown (Anne and Elizabeth) and Edward Burne-Jones (central Mary)—this Annunciation scene was designed by William Morris in 1880.
Stained glass window (1880) by John Hardman in the north aisle of Worcester Cathedral depicts King Solomon praying in front of the Arc of the Covenant. Musicians playing harps and trumpets are on either side of him.
This church is mostly furnished with glass work from J. Fournier of Tour.
This Hardman &Co. window of 1887 illustrates the story of the Pharisee giving alms to the poor, and the Publican displaying humility.














