Index of Medieval all
Frescos depicting the annunciation.
This early fifteenth century wall painting of Christ at the Last Judgement sitting on a rainbow between praying figures of the Virgin Mary and St John the Evangelist, can be found in the Collegiate Church of St Aignan.
White marble effigy of Cardinal Jean de la Grange (d1402).
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
Large brass monument to William Bagot (d1407) and his wife Margaret.
The painted clock a reminder of the passing of time ones mortality and the Last Judgment.
This is an early 15th century alabaster tomb of a knight and his wife, in the church of St Mary Lutterworth.
This 19in high brass monument is dedicated to John Cressy (d1414) and his wife Christine, can be found in the churchj of St Mary Dodford, Northamptonshire.
Tomb of William de Roos (d1414), 6th Baron Ros, 6th Baron Roos, Bottesford Leicestershire.
A common subject painted in medieval churches where scenes of the "Last Judgment" or "Doom". Often they would be painted above the chancel arch. A central figure of risen Christ with the instruments of the passion would be painted, or a crucifixion with the Virgin Mary and St John the Evangelist.
Fom about 1420, the figures on the right are thought to be Louis II of Chalon, count of Saint Aignan, his mother, and his second wife Jeanne de Perellos.
The two kneeling benefactors are thought to be Louis II of Chalon and Jeanne de Perellos.
This brass monument to William Wylde (d1422) and wife can be found in the church of St Mary, Dodford, Northamptonshire.
Brass monument to William Chichele (d1425) and wife. 4ft 3in figures under ogee gables.
C15 (c1420-1450) painting on the subject of the "Seven Deadly Sins".
The archangel St. Michael, is the principal angel and field commander of the Army of God. His name is the war-cry of the good angels in the battle fought in heaven against Satan and his followers. He is often depicted triumphant over the enemy.
This two storied tomb for Richard de Beauchamp, 1st Earl of Worcester (d1421) was built in 1430 by his wife Lady Isabel le Despenser, the great grand-daughter of Edward III. It was probably meant to contain priant figures of both Richard, Isabel, and her second husband Richard de Beauchamp, 13th Earl of Warwick, who was her first husband's cousin.
The Marmousets Portal Tympanum is a late Gothic sculpture adorning the Porche des Marmousets (Portal of the Marmousets) is the main pedestrian entrance to the Abbey Church of Saint-Ouen in Rouen, Normandy, France. This Flamboyant Gothic portal, primarily honors the Virgin Mary, dates to around 1430 and was crafted by the master sculptor Alexandre de Berneval, and is located at the south transept.
Between 1431 and 1438, the Florentine sculptor Luca della Robbia carved in marble one of the most radiant celebrations of music and childhood in the early Renaissance, the Cantoria, or singing gallery, originally made for the north singing gallery of Florence Cathedral.
The tympanum above the central porch, of Saint-Maclou in Rouen depicts Christ in Majesty at the Last Judgement in four registers.