Painted between 1425 and 1427 by Masaccio ⓘ for the Brancacci Chapel in Santa Maria del Carmine, this fresco depicts Saint Peter ⓘ healing the sick as his shadow falls upon them. The scene forms part of the chapel’s cycle illustrating the life of Saint Peter.
The work exemplifies Masaccio’s revolutionary approach to space, light, and human presence.
This devotional painting by Francesco Boschi ⓘ was executed in 1642–1643 for the church of Santi Michele e Gaetano. It was completed shortly after Lorenzo Lippi finished the upper decoration of the chapel, situating Boschi’s contribution within a coordinated decorative programme.
An early work, it shows the influence of his uncle and teacher Matteo Rosselli, particularly in its clarity of design, soft modelling, and devotional restraint.
Cell 39 on the second floor of the San Marco convent was reserved for Cosimo de Medici. The fresco on the wall is the Adoration of the Magi by Benozzo Gozzoli ⓘ.
This elegant Neoclassical funeral monument, located in the portico of the Camposanto Monumentale within Pisa's Piazza dei Miracoli, commemorates Anastasia Petri-Schouvaloff (dates uncertain, likely 18th–19th century).
This Annunciation (1438-1443) frescoe, by Fra Angelico ⓘ, is in cell 3 of the novice accommodation at San Marco Florence.
This fresco by Fra Angelico ⓘ, painted between 1438 and 1443 for the Dominican monastery of San Marco, presents the Baptism of Christ with the clarity, stillness, and devotional intensity characteristic of the artist’s mature period. Set against a serene, winding Jordan River and a stark, mountainous landscape, the composition emphasises the humility of the moment and the contemplative ethos of the monastery for which it was made.
The story of Cain and Abel is told on the wall of the North aisle of the cathedral of Montreale in Sicily. The mosaics are based on the Byzantian style and created in about 1218 by Moorish artists.
This images of Christ Carrying the Cross is in cell 28 of the San Marco convent.
These wall paintings of Christ in Majesty represent Christ as ruler of the universe. Normally he is in a mandorla and surrounded by other figures and objects. The other figures depicted change from time to time.
This fresco by Fra Angelico ⓘ 1438-1443) depicting the Coronation of the Virgin is in cell 9 of the San Marco monastery in Florence.
