This sculptural group on the central portal of Reims Cathedral represents the Presentation of Christ in the Temple, one of the most refined narrative ensembles on the west façade. The Virgin Mary and Simeon, who occupy the central positions, belong to the original campaign of sculpture executed around 1235, during the mature High Gothic phase of the cathedral’s decorative programme. Their elongated proportions, gentle sway, and finely articulated drapery exemplify the distinctive Reims style, with its emphasis on elegance, naturalism, and expressive modelling.

Mary offers the Christ Child to Simeon, who receives him with a solemn but tender gesture. The interaction between the two central figures is characterised by a delicate inward focus: the Virgin’s slight inclination and Simeon’s attentive posture lend the scene a quiet devotional intensity.

The two flanking figures, Joseph on the viewer’s left and a servant girl on the right, were added after 1250 as part of the continued enrichment of the portal. Their style reflects later developments in Reims sculpture: more animated pose, deeper folds, and a slightly different handling of facial features. The inclusion of Joseph, holding a pair of doves for the ritual offering, aligns the expanded group more closely with liturgical and iconographic tradition.