Wiltshire

Bishop Giles de Bridport Tomb - Salisbury Cathedral

Tomb of Bishop Giles de Bridport

This finely carved effigy represents a 13th-century bishop, shown lying in state with hands raised in prayer. The figure is sculpted from dark Purbeck marble, a material much used in English cathedrals of the period. The bishop is depicted wearing liturgical vestments, including the mitre and chasuble, and rests beneath an elaborately canopied tomb.

Bishop William de la Corner - Salisbury Cathedral

William de la Corner (d1291) was bishop of Salsibury from 1289 until his death whilst on his second mission abroad as an ambassador for Edward I. This tomb is just 1.1 metres in length and is sometimes described as the tomb of a boy bishop. However, small tombs like this were often built when just the heart of the deceased was buried, in this case it was the bones that were returned to Salisbury.

Faith, Devotion, and Courage: The Biblical Women of Henry Holiday

Whitefriars Stained glass by Henry Holiday in  Salisbury Cathedral

The four stained glass panels designed by Henry Holiday and made by James Powell & Sons (Whitefriars Glass) in 1891 form one of the most refined and spiritually resonant decorative ensembles in Salisbury Cathedral. Conceived as a unified series, they portray eight women of Scripture, Sarah and Hannah, Mary the Virgin and Mary the Mother of James, Mary of Bethany and Mary Magdalene, and Ruth and Esther, each pair chosen to express a distinct yet harmonizing aspect of faith, devotion, and divine purpose.

Lord John Cheney Monument - Salisbury Cathedral

Lord John Cheney (d1499) was a Lancastrian supporter who in 1483 had supported the Duke of Buckingham's rebellion against Richard III. When Buckingham's rebellion failed he joined Henry Tudor in Brittany and returned with him from France in 1485.

Saints and Patriarchs - Salisbury Cathedral

Jacob and Moses

 

The sequence of stained glass windows depicting the male saints and patriarchs of the Bible, designed by Henry Holiday and made by James Powell & Sons (Whitefriars Glass) in 1891, forms one of the most coherent and dignified ensembles within Salisbury Cathedral’s late Victorian glazing scheme.

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