This two-light stained-glass window of 1959, signed by J. Hardman Studios, is located in the church at Abthorpe. The window presents paired Marian subjects: the Annunciation and the Virgin and Child, unified by scriptural inscription and symbolic tracery.
This window is a composite assembly combining fragments of sixteenth-century stained glass with nineteenth-century architectural structures and extensive twentieth-century restoration. The present arrangement consists of five tall lancets surmounted by a unified canopy system reconstructed in 1852, with bases and pedestals also installed at that time.
This stained glass window, crafted by the French artist Pierre Carron in 2000, graces the south-facing lancet of the Cathédrale Sainte-Croix d'Orléans, a Gothic edifice spanning the 13th to 19th centuries. This modern addition, bathed in the interplay of light, celebrates the heroic figure of Joan of Arc, the city’s revered patron saint
Depicting the Life of Saint Joan of Arc, these designs were created by Max Ingrand in 1956 as part of the Sainte Joan quincentenary celebration appeal. They are installed in the Chapelle Saint Jeanne d'Arc in Rouen cathedral.
A substantial body of medieval stained glass survives at Great Malvern Priory, although its condition and completeness vary considerably from window to window. Several major fifteenth-century windows remain largely intact, most notably the Magnificat Window, the Founder’s Window, and the glazing of the Lady Chapel. Elsewhere, survival is more fragmentary: the great east window, though once a dominant feature of the church, now survives largely in dispersed panels and fragments rather than as a complete scheme.
The church of Saint-Pierre ⓘ at Meusnes dates from the mid 11th century,1 and is in the typical style of the Roman basilica, shaped as a cross with three apses.
These two windows by Tom Denny, are inspired by Psalm 36, and were installed in Great Malvern Priory in 2003.
The centre of Neufchâtel-en-Bray was almost completely demolished during heavy German bombing on June 7, 1940. Some 800 of the towns 1200 houses were destroyed. The church of Notre-Dame, dating from the twelfth century was severely damaged, and almost all of the stained glass windows from the 13th century shattered. These windows have now been recreated from drawings and descriptions that were made in the 1930s.
This reconstructed window is of six panels in two lights, is in the style of the C14 stained glass at Chartre. The original glass was destroyed when the center of Neufchatel was bombed in June 1940.
These stained glass windows by Max Ingrand are on the south aisle of the church of Saint-Taurin in Evreux. They depict Abraham ⓘ sacrificing Isaac ⓘ, The Mass, and the uncommon theme of Christ in the Wine Press.
