This stained glass window, designed by Henry Holiday and made by James Powell & Sons (Whitefriars Glass) in 1891, depicts Saint John the Evangelist and Joseph of Arimathea. The two figures together embody the themes of witness and devotion, those who stood near to Christ in His death and affirmed His divine nature in word and deed.

On the left, Saint John the Evangelist appears youthful and contemplative, holding a book and quill—the symbols of his Gospel and Revelation. At his feet stands the eagle, his traditional emblem, representing the soaring vision and theological insight of his writings. His golden robe and calm expression radiate purity and enlightenment, reflecting his role as the “beloved disciple” who bore witness to the Word made flesh.

On the right, Joseph of Arimathea is portrayed as a dignified elder, holding a golden chalice, the vessel associated in Christian symbolism with the burial of Christ and, in later legend, the Holy Grail. His solemn bearing and rich robes suggest piety, courage, and generosity, the virtues of the man who, in secret discipleship, honored the body of Jesus when others fled.

The red and blue backgrounds create a visual balance between divine love and heavenly contemplation, while the architectural tracery and floral ornament frame the figures in luminous harmony. Together, John and Joseph form a meditation on faith’s witness at the cross, the visionary and the compassionate servant united in devotion to Christ.

Rendered with the clarity, grace, and spiritual intensity characteristic of Holiday’s collaboration with Powell & Sons, this window stands as one of the most refined examples of late Victorian ecclesiastical art at Salisbury Cathedral.