Attributed to John Wakeham (d1549), the last abbot of Tewkesbury, the 'Wakeham' Cenotaph, actually mid fifteenth century and pre-dates the abbot by about 100 years. The effigy is a gisant as a decomposing corpse and the canopy was modelled on the throne of the House of Lords.
In the 13th century (c. 1200–1300), church monuments were effigial tombs, cross slabs, and early brasses, emerging as Gothic art replaced Romanesque. They focused on piety, feudal status, and intercession, with stiff, symbolic figures.
These carved oak Apostles at Dunstable Priory form part of the structural and iconographic programme of the timber roof, functioning as corbels supporting arched braces or hammer-beams. Oak, the standard and most durable timber for English ecclesiastical roofs, was universally favoured for such work, allowing both structural strength and detailed carving.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Story of Noah and the Flood, and birth of Isaac. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The bottom register of the window shows four scenes from the story of Abraham, Sarah, and the birth of Isaac.
Located on either side of the Portail des Libraires at Rouen Cathedral, these quatrefoil sculptures of Adma nd Eve and their expulsion from Eden were created between 1278-1300.
This window in the St Anne Chapel, Malvern Priory, has twelve scenes depicting the Creation story and the Fall. It is dated to between 1440-1450 and was probably the gift of Isabel Despenser and Richard de Beauchamp, 13th earl of Warwick.
The middle register of the window illustrate the creation of Adam and Eve, the Forbidden Fruit, and the Fall.
Cell 39 on the second floor of the San Marco convent was reserved for Cosimo de Medici. The fresco on the wall is the Adoration of the Magi by Benozzo Gozzoli.
Monument of Adrien Hénencourt (d1530) at Amiens Cathedral. This monument is below the choir screen (1490-1530) depicting the life of St Firmin that canon Hénencourt was responsible for commissioning.
This effigy on a low tomb chest is thought to be Alexander of Holderness (d1226) abbot of Peterborough.
