Romanesque font - St Margaret Crick
This C12 font has a circular bowl with a bead decoration which is supported by three crouching Atlas figures supporting the red sandstone bowl.
Northamptonshire
Rood background - Raunds, Northamptonshire
Medieval background (c1420) to Rood. Raunds, Northamptonshire.
Sarah Baroness Braye Tomb - Stanford-on-Avon, Northamptonshire
Tomb in memory of Sarah Baroness Braye (d1862) by Mary Thorneycroft.
South chancel window - Middleton Cheney
The south window of the chancel at All Saints, Middleton Cheney, contains two important stained-glass panels designed by Ford Madox Brown in 1870, created during his period of work for Morris, Marshall, Faulkner & Co. These windows are among the finest surviving examples of Brown’s contribution to Victorian ecclesiastical glass, characterised by his expressive figures, sculptural modelling, and dense narrative detail.
South west chancel window - Stanford-on-Avon, Northamptonshire
Medieval panels dated between 1330-1350 of three saints.
St Anne teaching the Virgin to read - Stanford-on-Avon, Northamptonshire.
St Anne teaching Virgin to read, St. Agnes, and other female saints. Early C14 (1330-1350).
St. Agnes and two other Female Saints C14 - Stanford-on-Avon, Northamptonshire
Three female saints 1330-1350. Two are unidentified the middle figure is that of St. Agnes.
St. Christopher
Wall paintings of St Christopher.
St. Elizabeth and St. Anne - Middleton Cheney
The north-aisle east window at Middleton Cheney contains two major stained-glass figures designed by Ford Madox Brown in 1880 for Morris, Marshall, Faulkner & Co. These works represent some of Brown’s finest ecclesiastical contributions and exemplify his distinctive approach to figural design, which differs markedly from that of colleagues such as Burne-Jones.
St. Margaret and Bishop C14 - Stanford-on-Avon, Northamptonshire
Early C14 (c1330-50) figures of St. Margaret and bishop.
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