The tympanum of St Stephen at Bourges cathedral was constructed by 1240, and is above one of the five portals at the west end of the cathedral. The tympanum is made up of three sections. The lowest section depicts Stephen being made one of the seven deacons of the early church. Above that is his martyrdom, and on top of all is an image of Christ as Salvator Mundi.
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The southern most portal on the western façade of Bourges Cathedral is dedicated to St Ursinus (or Ursin), a 3rd century figure, the first Bishop of Bourges.
Construction of Bourges cathedral began in 1195 and was finally completed and dedicated to St Stephen in 1324. With its five portals the western façade, which was completed in 1230, is the widest of any Gothic church spanning some 40 metres.
This four-light window depicts the Annunciation to the Virgin Mary, a masterwork of mid-15th-century French stained glass and one of the earliest panels in the south ambulatory cycle at Bourges Cathedral. At the centre, the Archangel Gabriel, richly vested in a scarlet cope patterned with gold shells and miniature saintly figures, kneels before the Virgin Mary, who stands at the right holding a book of hours and clothed in green and white robes edged with gold
Created in 1619 this late Death and Assumption of the Virgin stained glass window is in Bourges Cathedral France.
Gothic tympanum of the Last Judgement dating from about 1230 at Bourges Cathedral, France.
Window 202 contains a paired representation of the two foundational apostles, Peter and Paul. The window forms part of the southern run of apostolic lancets in the choir clerestory, executed by the same workshop responsible for the coherent sequence between w.202 and w.212.
Window 204 consists of two tall lancets forming part of the celebrated early thirteenth-century clerestory glazing of Bourges Cathedral. The saints represented, Andrew on the left and John the Evangelist on the right, are shown as full-height standing figures beneath architectural canopies, framed by the characteristic geometric borders of the Bourges workshop.
Window w.206 forms part of the major early 13th-century glazing programme of the choir clerestory at Bourges Cathedral. Like the other apostolic lancets in this zone, it presents three full-length apostles standing beneath architectural canopies, each framed by the characteristic red–blue geometric borders of the Bourges workshop. The style, palette, and facial types align closely with the glazing campaigns dated to c.1210–1215.
Window w.210 forms part of the southern clerestory apostolic cycle of Bourges Cathedral. Created in the first decades of the 13th century, this scheme is contemporary with the cathedral’s great choir and represents one of the finest ensembles of High Gothic stained glass in France.
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